{"id":4385,"date":"2014-08-30T14:59:36","date_gmt":"2014-08-30T14:59:36","guid":{"rendered":"http:\/\/www.antropologiavisual.com.ar\/?p=4385"},"modified":"2015-03-20T01:47:34","modified_gmt":"2015-03-20T01:47:34","slug":"cuando-desperto-el-elefante-todavia-estaba-ahi","status":"publish","type":"post","link":"http:\/\/www.antropologiavisual.com.ar\/en\/cuando-desperto-el-elefante-todavia-estaba-ahi\/","title":{"rendered":"Cuando despert\u00f3 el elefante todav\u00eda estaba ah\u00ed."},"content":{"rendered":"<p><span style=\"color: #bd8b55;\"><strong>Nueva publicaci\u00f3n del equipo Irudi Estudios de la imagen del \u00c1rea de Antropolog\u00eda Visual de la UBA. <\/strong><\/span><\/p>\n<p><strong>Titulo:<\/strong> Cuando despert\u00f3 el elefante todav\u00eda estaba ah\u00ed. La imagen del Rey en la cultura visual 2.0.<br \/>\n<strong>Authors<\/strong><\/p>\n<p>Ander Gondra Aguirre<br \/>\nPhD. Marina Guti\u00e9rrez De Angelis<br \/>\nGorka L\u00f3pez de Munain<br \/>\nLuis Vives-Ferr\u00e1ndiz S\u00e1nchez<\/p>\n<table border=\"0\">\n<tbody>\n<tr>\n<td>P\u00e1ginas: 224<\/td>\n<\/tr>\n<tr>\n<td>ISBN: 978-84-942922-0-0<\/td>\n<\/tr>\n<tr>\n<td>Dimensiones: 14.8 x 21 cm<\/td>\n<\/tr>\n<tr>\n<td>Colecci\u00f3n: Pigmali\u00f3n<a href=\"http:\/\/www.sanssoleil.es\/argentina\/producto\/cuando-desperto-el-elefante-todavia-estaba-ahi-la-imagen-del-rey-en-la-cultura-visual-2-0\/\" target=\"_blank\">Comprar libro<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>Sinopsis del libro<\/h2>\n<p style=\"text-align: justify;\">Can images provoke an abdication? Do they have the power to establish or overthrow monarchies through their existence and dissemination? Images are powerful artifacts, difficult to handle and capable of inspiring the most diverse reactions in people. Throughout history, rulers, perfectly aware of this, have managed to master the production of a visual culture skillfully constructed to modulate thought, create wars or unite a nation. However, in the era of Visual Culture 2.0, the rules of the game have changed and citizens can produce, distribute and consume photographs generating reactions never before imagined. The latest generation of mobile phones or <em>smartphones<\/em>, social networks, the logic of Web 2.0, instant messaging applications, etc., draw the broadest lines of new times in which the image takes on a prominent place.<\/p>\n<p style=\"text-align: justify;\">Under these premises, this book will delve into the complex relationship that has always linked images to the monarchy. Taking as a starting point the famous photograph of King Juan Carlos I hunting in Botswana, an investigation is initiated in which the past and the present are intertwined, showing the survival of the symbolic gestures that define royalty. As art historian Hans Belting would say, \u201cimages are nomads of their media\u201d, jumping from one to another through time and adopting a different form in each case to define a visual genealogy that reaches to our days. This unique iconographic atlas will reveal many of the controversies that have arisen around this institution in the form of satires, defamations, iconoclasms, censorship\u2026 and that today question its legitimacy in a world dominated by digital images.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.sanssoleil.es\/argentina\/producto\/cuando-desperto-el-elefante-todavia-estaba-ahi-la-imagen-del-rey-en-la-cultura-visual-2-0\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4337\" src=\"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Cuando-desperto-el-elefante-todavia-estaba-ah%C3%AD.jpg?resize=600%2C600\" alt=\"Cuando desperto el elefante todavia estaba ah\u00ed\" width=\"600\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Cuando-desperto-el-elefante-todavia-estaba-ah%C3%AD.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Cuando-desperto-el-elefante-todavia-estaba-ah%C3%AD.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Cuando-desperto-el-elefante-todavia-estaba-ah%C3%AD.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Cuando despert\u00f3 el elefante todav\u00eda estaba ah\u00ed. La imagen del Rey en la cultura visual 2.0. Autores &#8211; Ander Gondra Aguirre, Marina G. De Angelis, Gorka L\u00f3pez de Munain, Luis Vives-Ferr\u00e1ndiz S\u00e1nchez. Editorial Sans Soleil.<\/p>","protected":false},"author":1,"featured_media":4338,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11],"tags":[],"class_list":["post-4385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novedades-editoriales"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.2 (Yoast SEO v24.2) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cuando despert\u00f3 el elefante todav\u00eda estaba ah\u00ed. - \u00c1rea de Antropolog\u00eda Visual<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antropologiavisual.com.ar\/en\/cuando-desperto-el-elefante-todavia-estaba-ahi\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cuando despert\u00f3 el elefante todav\u00eda estaba ah\u00ed.\" \/>\n<meta property=\"og:description\" content=\"Cuando despert\u00f3 el elefante todav\u00eda estaba ah\u00ed. La imagen del Rey en la cultura visual 2.0. Autores - Ander Gondra Aguirre, Marina G. De Angelis, Gorka L\u00f3pez de Munain, Luis Vives-Ferr\u00e1ndiz S\u00e1nchez. 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