{"id":1226,"date":"2014-10-29T23:27:28","date_gmt":"2014-10-29T23:27:28","guid":{"rendered":"http:\/\/www.antropologiavisual.com.ar\/?page_id=1226"},"modified":"2026-02-14T18:56:34","modified_gmt":"2026-02-14T18:56:34","slug":"docencia","status":"publish","type":"page","link":"https:\/\/www.antropologiavisual.com.ar\/en\/docencia\/","title":{"rendered":"Teaching"},"content":{"rendered":"

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Seminarios y cursos de grado y posgrado<\/span><\/h3>\n

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Seminarios y cursos de grado y posgrado<\/strong><\/h2>\n

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Undergraduate and postgraduate seminars and courses <\/span><\/h3>\n

posgrado<\/span><\/h3>\n

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Seminarios y cursos de grado y posgrado<\/span><\/h3>\n

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Seminarios y cursos de grado y posgrado<\/strong><\/h2>\n

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2026<\/span><\/h3>\n

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Anthropology of the Image
<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>: 1\u00ba Cuatrimestre de 2026<\/p>\n

For Students of Anthropological Sciences and Archaeology.
(Students from other degree courses can register through:
Pre-Enrolment Res. (CSP) N\u00ba 841\/85<\/p>\n

Equipo docente:
<\/strong>PhD.. <\/strong>Marina Guti\u00e9rrez De Angelis, Dra. Greta Winckler, Dra. Paula Bruno y Dr. Gorka L\u00f3pez de Munain

Schedule <\/strong>JUEVES 16-20<\/p>\n

Virtual<\/span><\/p>\n

Enrolment
<\/span><\/strong><\/p>\n

Course start: March 19th<\/p>\n

Enrolment 09\/03 al 13\/03<\/span><\/strong><\/p>\n

Pre-Enrolment Res. (CSP) N\u00ba 841\/85<\/span>:\u00a0Del 18\/02 al 4\/03.<\/span>
<\/span><\/span><\/strong><\/p>\n

Learn More Here<\/a><\/span><\/span><\/span><\/strong><\/p>\n

External students \u00bfQuestions? antropologiavisualuba<\/span>@gmail.com<\/span><\/a><\/p>\n

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Unidad 1: Antropolog\u00eda de la Imagen<\/strong><\/p>\n

-Antropolog\u00eda e Historia del Arte.
-Problemas y dificultades en torno al concepto de arte y est\u00e9tica.
-De la historia del arte a la historia de las im\u00e1genes.
-Arte y artefacto. Antropolog\u00eda e imagen
-El problema del \u201carte rupestre\u201d y el \u201carte primitivo\u201d.
-El debate te\u00f3rico-metodol\u00f3gico en torno a lo visual
-Hacia una teor\u00eda antropol\u00f3gica de la imagen.
-Cuerpo e imagen: La experiencia medial con las im\u00e1genes.
-La imagen como objeto de estudio de la Antropolog\u00eda.<\/p>\n

Unidad 2: Imagen, Percepci\u00f3n y cuerpo<\/strong><\/p>\n

-Teor\u00eda del Acto de imagen.
-Forma, Percepci\u00f3n y cuerpo.
-La imagen t\u00e9cnica. Ciencia y visualizaci\u00f3n del conocimiento.
-Enfoques interdisciplinarios: Est\u00e9tica experimental y Antropolog\u00eda de la imagen.
-Cuerpo, percepci\u00f3n y motricidad: embodiment, emplacement y corporizaci\u00f3n.
-El concepto de simulaci\u00f3n encarnada.
-Imagen y conducta
-An\u00e1lisis de casos.<\/p>\n

Unidad 3: Imagen y agencia<\/strong><\/p>\n

-Forma, percepci\u00f3n y respuesta.
-Imagen y muerte.
-Iconoclasia, Censura y actos de imagen.
-Imagen y culto.
-Imagen y figuraci\u00f3n del poder. Iconografia pol\u00edtica.
-Imagen digital y nuevas pr\u00e1cticas: Selfies, Gif, memes, IA y prompt-im\u00e1genes.
-An\u00e1lisis de casos.<\/p>\n

Unidad 4: La imagen en la cultura visual contempor\u00e1nea<\/strong><\/p>\n

-Origen y genealog\u00eda del concepto de Cultura Visual
-Multimedialidad, intermedialidad, transmedialidad, remediaci\u00f3n.
-Humanidades Digitales.
-La imagen y el mundo digital. Big Data, digitalizaci\u00f3n y experiencia medial.
-Nuevos medios de la imagen: Realidad Virtual, Realidad Aumentada y Mixta.
-Nuevos entornos y ambientes: Metaverso, espacios inmersivos.
-Imagen e Inteligencia Artificial
-Imagen digital y divulgaci\u00f3n p\u00fablica de la ciencia.<\/p>\n

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\n[\/et_pb_image][et_pb_blurb url=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/2024-Antropologia-de-la-Imagen.pdf\u00bb url_new_window=\u00bbon\u00bb use_icon=\u00bbon\u00bb font_icon=\u00bb?||divi||400″ icon_placement=\u00bbleft\u00bb image_icon_width_tablet=\u00bb101px\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ hover_enabled=\u00bb0″ z_index_tablet=\u00bb0″ header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb box_shadow_horizontal_image_tablet=\u00bb0px\u00bb box_shadow_vertical_image_tablet=\u00bb0px\u00bb box_shadow_blur_image_tablet=\u00bb40px\u00bb box_shadow_spread_image_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n

Download<\/a><\/p>\n

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Seminarios y cursos de grado y posgrado<\/span><\/h3>\n

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Seminarios y cursos de grado y posgrado<\/strong><\/h2>\n

\u00bb content_last_edited=\u00bbon|phone\u00bb admin_label=\u00bbText\u00bb _builder_version=\u00bb4.20.1″ text_font=\u00bb|||on|||||\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ min_height=\u00bb132px\u00bb custom_margin=\u00bb||-53px|||\u00bb custom_padding=\u00bb1px||0px|||\u00bb text_font_size_tablet=\u00bb\u00bb text_font_size_phone=\u00bb\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb z_index_tablet=\u00bb0″ text_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_text_shadow_blur_strength_tablet=\u00bb1px\u00bb link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_2_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_2_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_2_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_3_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_3_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_3_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_4_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_4_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_4_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_5_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_5_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_5_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_6_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_6_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_6_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb inline_fonts=\u00bbAlegreya SC\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

2024<\/span><\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb2_3,1_3″ admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.23.1″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb0px|0px||||\u00bb border_width_bottom=\u00bb2px\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.24.0″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb|-66px|-3px|||\u00bb custom_padding=\u00bb||0px|||\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Anthropology of the Image
<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>: 1\u00ba Cuatrimestre de 2024<\/p>\n

For Students of Anthropological Sciences and Archaeology.
(Students from other degree courses can register through:
Pre-Enrolment Res. (CSP) N\u00ba 841\/85<\/p>\n

Professors: <\/strong>PhD.. <\/strong>Marina Guti\u00e9rrez De Angelis y PhD. Gorka L\u00f3pez de Munain
Schedule <\/strong>JUEVES 14-18 hs<\/p>\n

Virtual<\/span><\/p>\n

Enrolment
<\/span><\/strong><\/p>\n

Start: 21st March<\/strong><\/span><\/p>\n

Enrolment 4\/3 al 8\/3<\/span><\/strong><\/p>\n

Pre-Enrolment Res. (CSP) N\u00ba 841\/85<\/span>:\u00a0Del 28\/02 al 4\/03.<\/span>
<\/span><\/span><\/strong><\/p>\n

Learn More Here<\/a><\/span><\/span><\/span><\/strong><\/p>\n

External students \u00bfQuestions? antropologiavisualuba<\/span>@gmail.com<\/span><\/a><\/p>\n

 <\/p>\n

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Unidad 1: Antropolog\u00eda de la Imagen<\/strong><\/p>\n

-Antropolog\u00eda e Historia del Arte.
-Problemas y dificultades en torno al concepto de arte y est\u00e9tica.
-De la historia del arte a la historia de las im\u00e1genes.
-Arte y artefacto. Antropolog\u00eda e imagen
-El problema del \u201carte rupestre\u201d y el \u201carte primitivo\u201d.
-El debate te\u00f3rico-metodol\u00f3gico en torno a lo visual
-Hacia una teor\u00eda antropol\u00f3gica de la imagen.
-Cuerpo e imagen: La experiencia medial con las im\u00e1genes.
-La imagen como objeto de estudio de la Antropolog\u00eda.<\/p>\n

Unidad 2: Imagen, Percepci\u00f3n y cuerpo<\/strong><\/p>\n

-Teor\u00eda del Acto de imagen. Bildakt
-Forma, Percepci\u00f3n y cuerpo.
-La imagen t\u00e9cnica. Ciencia y visualizaci\u00f3n del conocimiento.
-Enfoques interdisciplinarios: Est\u00e9tica experimental y Antropolog\u00eda de la imagen.
-Cuerpo, percepci\u00f3n y motricidad: embodiment, emplacement y corporizaci\u00f3n.
-El concepto de simulaci\u00f3n encarnada.
-Imagen y conducta
-An\u00e1lisis de casos.<\/p>\n

Unidad 3: Imagen y agencia<\/strong><\/p>\n

-Forma, percepci\u00f3n y respuesta.
-La imagen como lugar de la presencia
-Cultura Visual de la ausencia.
-Imagen y muerte.
-Iconoclasia, Censura y actos de imagen.
-Imagen y culto.
-An\u00e1lisis de casos.<\/p>\n

Unidad 4: La imagen en la cultura digital contempor\u00e1nea<\/strong><\/p>\n

-Origen y genealog\u00eda del concepto de Cultura Visual
-Multimedialidad, intermedialidad, transmedialidad, remediaci\u00f3n.
-Humanidades Digitales.
-La imagen y el mundo digital. Big Data, digitalizaci\u00f3n y experiencia medial.
-Nuevos medios de la imagen: Realidad Virtual, Realidad Aumentada y Mixta.
-Nuevos entornos y ambientes: Metaverso, espacios inmersivos.
-Imagen e Inteligencia Artificial
-Imagen digital y divulgaci\u00f3n p\u00fablica de la ciencia.<\/p>\n

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Download<\/a><\/p>\n

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Seminarios y cursos de grado y posgrado<\/span><\/h3>\n

\u00bb content_phone=\u00bb<\/p>\n

Seminarios y cursos de grado y posgrado<\/strong><\/h2>\n

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2023<\/span><\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb2_3,1_3″ admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb0px|0px||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.19.4″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb|-66px|-3px|||\u00bb custom_padding=\u00bb||0px|||\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Immersive Visual Anthropology and Digital Humanities<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>: 1\u00ba Cuatrimestre de 2023<\/p>\n

For Students of Anthropological Sciences and Archaeology.
(Students from other degree courses can register through:
Pre-Enrolment Res. (CSP) N\u00ba 841\/85<\/p>\n

Enrolment
PRE-REGISTRATION: STUDENTS RES. (CSP) N\u00b0 841\/85 06\/03\/2023 al 10\/03\/2023<\/span><\/span>
ENROLMENT\u00a0 20\/03\/2023 al 23\/03\/2023<\/span><\/span>
<\/span><\/strong><\/p>\n

Professor <\/strong>Marina Guti\u00e9rrez De Angelis
Schedule <\/strong>LUNES 17-21 hs<\/p>\n

Enrolmente code 70788<\/span><\/span><\/strong>
Virtual<\/span> (Hybrid - optional)
Course start: March 27th
Code on-line Suiga<\/a>: 70788<\/span><\/span><\/strong>
External students \u00bfQuestions? antropologiavisualuba<\/span>@gmail.com<\/span><\/a>
Students from other universities consult about pre-enrolment registration Students under Res. (CSP) N\u00ba 841\/85<\/span><\/p>\n

 <\/p>\n

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\n

Unidad 1: Antropolog\u00eda Visual y Humanidades Digitales
<\/strong><\/p>\n<\/blockquote>\n

-Definici\u00f3n y alcance de las Humanidades Digitales.
-La imagen t\u00e9cnica.
-Enfoques interdisciplinarios: Est\u00e9tica experimental y Antropolog\u00eda de la imagen.
-Cuerpo, percepci\u00f3n y motricidad: embodiment, emplacement y corporizaci\u00f3n.
-Tecnolog\u00edas h\u00e1pticas y experiencias inmersivas.
-Embodiment y realidad virtual.<\/p>\n

\n

Unidad 2: Introducci\u00f3n al uso de herramientas digitales
<\/strong><\/p>\n<\/blockquote>\n

-Realidad virtual, realidad aumentada, realidad mixta. XR.
-Tipo de dispositivos. Grados de libertad.
-Tipos de c\u00e1maras.
-Formatos: Experiencia VR, Cinematic VR, video 360\u00ba monosc\u00f3pico y estereosc\u00f3pico.
-Edici\u00f3n de Video. Fotograf\u00eda y sonido 360\u00ba.
-Formatos de exportaci\u00f3n, dispositivos, canales y plataformas.
-Modelado 3D y fotogrametr\u00eda.
-Dise\u00f1o Web y proyectos multimedia online.<\/p>\n

\n

Unidad 3: Antropolog\u00eda Visual Inmersiva
<\/strong><\/p>\n<\/blockquote>\n

-Antropolog\u00eda multimodal, Antropolog\u00eda Inmersiva
-Cyberarqueolog\u00eda.
-La investigaci\u00f3n audiovisual en la era digital.
-C\u00f3mo intervienen los marcos te\u00f3ricos y metodol\u00f3gicos cuando se investiga con medios digitales.
-El concepto de experiencia digital
-Realidad Virtual, video 360\u00ba y Storytelling.
-Tecnolog\u00edas h\u00e1pticas y experiencias digitales.
-Proyectos digitales interactivos.<\/p>\n

\n

Unidad 4: Elaboraci\u00f3n de proyectos
<\/strong><\/p>\n<\/blockquote>\n

-El conocimiento como experiencia corporal y sensorial.
-Dise\u00f1o y evaluaci\u00f3n de propuestas digitales.
-UX Design y Antropolog\u00eda del Dise\u00f1o aplicados al \u00e1mbito del patrimonio cultural.
-Museos y nuevas herramientas digitales.
-Metaverso\/Ambientes digitales. La virtualidad como una experiencia corporal.
-e learning, gamificaci\u00f3n y tecnolog\u00edas h\u00e1pticas. Interacci\u00f3n y participaci\u00f3n.
-Audiencias tradicionales, no tradicionales, segmentaci\u00f3n y accesibilidad.
-Dise\u00f1o universal vs dise\u00f1o inclusivo.
-Diversidad, accesibilidad e inclusi\u00f3n en la investigacion y desarrollo de proyectos audiovisuales.<\/p>\n

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\n[\/et_pb_image][et_pb_blurb url=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Programa-Antropologia-visual-Inmersiva-y-HD-2023.pdf\u00bb use_icon=\u00bbon\u00bb font_icon=\u00bb?||divi||400″ icon_placement=\u00bbleft\u00bb image_icon_width_tablet=\u00bb101px\u00bb _builder_version=\u00bb4.20.2″ _module_preset=\u00bbdefault\u00bb vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb box_shadow_horizontal_image_tablet=\u00bb0px\u00bb box_shadow_vertical_image_tablet=\u00bb0px\u00bb box_shadow_blur_image_tablet=\u00bb40px\u00bb box_shadow_spread_image_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Download<\/a><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb2_3,1_3″ admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb0px|0px||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.20.1″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb|-66px|-3px|||\u00bb custom_padding=\u00bb||0px|||\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Visual experiences of knowledge. Luminous projections, views and optical devices in the 19th century.
<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>: 1\u00ba Cuatrimestre de 2023<\/p>\n

Students of Geography, Arts, Education, Anthropology.
(Students from other degree courses can register through:
Pre-Enrolment Res. (CSP) N\u00ba 841\/85<\/p>\n

Enrolment
PRE-REGISTRATION: STUDENTS RES. (CSP) N\u00b0 841\/85 06\/03\/2023 al 10\/03\/2023<\/span><\/span>
ENROLMENT\u00a0 20\/03\/2023 al 23\/03\/2023<\/span><\/span>
<\/span><\/strong><\/p>\n

Professor <\/strong>Paula Bruno Garc\u00e9n
Professor<\/strong>: Greta Winckler
Schedule <\/strong>WEDNESDAY 10 a 12 hs<\/p>\n

Enrolmente code
Hybrid<\/span>
Course start: 29 March
Code on-line Suiga<\/a>:
External students \u00bfQuestions? antropologiavisualuba<\/span>@gmail.com<\/span><\/a>
Students from other universities consult about pre-enrolment registration Students under Res. (CSP) N\u00ba 841\/85<\/span><\/p>\n

 <\/p>\n

[\/et_pb_text][et_pb_toggle title=\u00bbPrograma\u00bb _builder_version=\u00bb4.20.1″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb closed_title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb closed_title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Unidad 1: Pensar con im\u00e1genes<\/strong>
Los Estudios de la Cultura Visual: lineamientos metodol\u00f3gicos e historiogr\u00e1ficos de las escuelas anglosajonas [Visual Studies] y alemanas [Bildwissenschaft]. La visualizaci\u00f3n del conocimiento y las im\u00e1genes t\u00e9cnicas. Las experiencias de visionado. Los actos de imagen.<\/p>\n

Unidad 2: La ciencia y la tecnolog\u00eda como espect\u00e1culo en el siglo XIX<\/strong>
Las diversiones p\u00fablicas como espacio de sociabilidad decimon\u00f3nica. Experiencias cosmopolitas y consumos. Tecnolog\u00edas, materiales y energ\u00edas. Las exposiciones industriales y universales. Las experimentaciones y demostraciones cient\u00edficas como espect\u00e1culos visuales. El complejo expositivo.<\/p>\n

Unidad 3: El montaje: las exposiciones y las proyecciones luminosas<\/strong>
El montaje como forma de conocimiento: el relato y el montaje dial\u00e9ctico. El ritmo y las nuevas experiencias del tiempo y del espacio. Coleccionismo y exhibiciones. Las proyecciones luminosas en la ense\u00f1anza cient\u00edfica. Museos y exposiciones industriales y universales como espacios del saber.<\/p>\n

Unidad 4: Viajes y vistas urbanas<\/strong>
Viajeros y expediciones cient\u00edficas en el siglo XIX. La visualizaci\u00f3n de las expediciones y viajes. Las vistas urbanas de Buenos Aires, las vistas urbanas en Buenos Aires. Las proyecciones luminosas como relatos visuales de viajes. Las vistas como experiencia del espacio y las atracciones tur\u00edsticas.<\/p>\n

Unidad 5: Los panoramas y las experiencias del espacio<\/strong>
De la ilusi\u00f3n de espacio a la experiencia inmersiva. Tecnolog\u00edas de la inmersi\u00f3n. Los temas de vistas y batallas en los panoramas. Los panoramas en la Argentina.<\/p>\n

Unidad 6: La mirada sobre el pasado y los asuntos de actualidad<\/strong>
Guerras y eventos pol\u00edticos como espect\u00e1culos p\u00fablicos. Los eventos de actualidad en las vistas \u00f3pticas.Los casos de la guerra de Crimea y la guerra del Paraguay. Las rotondas de panoramas: de las batallas europeas a las batallas nacionales. Panoramas, dioramas y proyecciones en los festejos del Centenario.<\/p>\n

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\n[\/et_pb_image][et_pb_blurb url=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Seminario_Experiencias_visuales_de_conoc.pdf\u00bb use_icon=\u00bbon\u00bb font_icon=\u00bb?||divi||400″ icon_placement=\u00bbleft\u00bb image_icon_width_tablet=\u00bb101px\u00bb _builder_version=\u00bb4.20.1″ _module_preset=\u00bbdefault\u00bb vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb box_shadow_horizontal_image_tablet=\u00bb0px\u00bb box_shadow_vertical_image_tablet=\u00bb0px\u00bb box_shadow_blur_image_tablet=\u00bb40px\u00bb box_shadow_spread_image_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Download<\/a><\/p>\n

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Seminarios y cursos de grado y posgrado<\/span><\/h3>\n

\u00bb content_phone=\u00bb<\/p>\n

Seminarios y cursos de grado y posgrado<\/strong><\/h2>\n

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2022<\/span><\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb2_3,1_3″ admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb-1px|auto||auto||\u00bb custom_padding=\u00bb0px|0px||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.19.4″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb42px|-66px||||\u00bb custom_padding=\u00bb||0px|||\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Immersive Visual Anthropology<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>: 1\u00ba Cuatrimestre de 2022
Students from the Anthropological Sciences and Arts degree courses
(Students from other degree courses can register from 7 to 11 March 2022, through the following address:
Pre-Enrolment Res. (CSP) N\u00ba 841\/85<\/a>
Registration: From 14 to 18 MARCH 2022MAS INFO AQUI<\/span><\/a>)<\/span><\/strong><\/p>\n

Professors<\/strong>
PhD. Marina Guti\u00e9rrez De Angelis<\/p>\n

Schedule <\/strong>A confirmar
Virtual
Start: 28 March
Code on-line Suiga<\/a>: a confirmar
External students \u00bfQuestions? antropologiavisualuba<\/span>@gmail.com<\/span><\/a>
Students from other universities, please enquire about registration Pre-Enrolment Res. (CSP) N\u00ba 841\/85<\/a><\/span><\/p>\n

 <\/p>\n

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\n

Unidad 1: La imagen como objeto de estudio de la Antropolog\u00eda.<\/strong><\/p>\n<\/blockquote>\n

-Antropolog\u00eda e Historia del Arte.
-Problemas y dificultades en torno al concepto de arte y est\u00e9tica.
-De la historia del arte a la historia de las im\u00e1genes.
-La Arqueolog\u00eda y la imagen como problema. Imagen, tiempo y sentido.
-Antropolog\u00eda Visual y Antropolog\u00eda de la imagen.
-Teor\u00eda del Acto de Imagen.
-Origen y genealog\u00eda del concepto de Cultura Visual
-Historia de los medios de la imagen.
-An\u00e1lisis de casos.<\/p>\n

\n

Unidad 2: Introducci\u00f3n a las Humanidades digitales.<\/strong><\/p>\n<\/blockquote>\n

-Definici\u00f3n y alcance de las Humanidades Digitales.
-\u00c1mbitos de aplicaci\u00f3n
-Nuevos aportes te\u00f3ricos y metodol\u00f3gicos para el campo de la antropolog\u00eda visual, la arqueolog\u00eda, la historia y la historia del arte.
-Enfoques interdisciplinarios.
-Est\u00e9tica experimental y experiencias inmersivas.
-Antropolog\u00eda Visual y herramientas digitales.
-Patrimonio cultural y herramientas digitales.
-Aspectos sociales, institucionales, inter y multiculturales relacionados con las humanidades digitales.<\/p>\n

\n

Unidad 3: Herramientas digitales aplicadas a la investigaci\u00f3n.<\/strong><\/p>\n<\/blockquote>\n

-Realidad virtual, realidad aumentada, realidad mixta, e-learning.
-Programas de tratamiento y procesamiento de im\u00e1genes.
-Realidad Virtual y Antropolog\u00eda visual.
-Modelado 3D y fotogrametr\u00eda.
-Videojuegos, Historia y Arqueolog\u00eda.
-Software, plataformas y entornos de trabajo colaborativo en l\u00ednea.
-Catalogaci\u00f3n. An\u00e1lisis de redes y datos.
-Dise\u00f1o de entornos virtuales inmersivos y de aprendizaje.
-Realidad virtual y Arqueolog\u00eda. Cybearqueolog\u00eda.
-Desarrollo de sitios web y herramientas de visualizaci\u00f3n de datos para la investigaci\u00f3n.
-An\u00e1lisis de casos.<\/p>\n

\n

Unidad 4: Antropolog\u00eda visual Inmersiva<\/strong><\/p>\n<\/blockquote>\n

-Antropolog\u00eda visual y herramientas digitales.
-Tecnolog\u00edas h\u00e1pticas y experiencias inmersivas.
-Embodiment y realidad virtual.
-La investigaci\u00f3n audiovisual. Problem\u00e1ticas, desarrollos te\u00f3ricos y elaboraci\u00f3n de proyectos
-C\u00f3mo intervienen los marcos te\u00f3ricos y metodol\u00f3gicos cuando se investiga desde el campo espec\u00edfico
de las im\u00e1genes.
-Video 360\u00ba y tours virtuales: Del concepto de exhibici\u00f3n al de experiencia cultural.
-Museos y Antropolog\u00eda. Exhibiciones virtuales. Experiencia digital.
-Museos y experiencias interactivas.
-EduVr. Aplicaciones para el \u00e1mbito educativo, formaci\u00f3n y turismo cultural.
-Diversidad, accesibilidad e inclusi\u00f3n.
-Museos y discapacidad.
-An\u00e1lisis de casos<\/p>\n

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Download<\/a><\/p>\n

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Seminarios y cursos de grado y posgrado<\/span><\/h3>\n

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Seminarios y cursos de grado y posgrado<\/strong><\/h2>\n

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2021<\/span><\/h3>\n

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New Approaches and Perspectives in Visual Anthropology
<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>: 1\u00ba Cuatrimestre de cada a\u00f1o. (Marzo-Junio) – Per\u00edodo: 2019-2021\u00a0<\/p>\n

Registration: From 15 to 19 MARCH 2021
<\/span><\/strong><\/p>\n

Professors<\/strong>
PhD. Marina Guti\u00e9rrez De Angelis<\/p>\n

Schedule<\/strong>
Theorical
Practice
Virtual
Course start: 22 March
Code on-line Suiga<\/a>: 07009. C\u00e1tedra Guarini
External students \u00bfQuestions? antropologiavisualuba<\/span>@gmail.com<\/span><\/a><\/p>\n

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\n
Descargar Programa completo:<\/strong> programa 2021Area de Antropologia Visual UBA<\/a><\/div>\n
\n

Unidad 1: La imagen como objeto de estudio de la Antropolog\u00eda.<\/p>\n<\/blockquote>\n

-El arte como una categor\u00eda problem\u00e1tica.
-De la historia del arte a la historia de las im\u00e1genes.
-Antropolog\u00eda de la imagen.
-Imagen, medio y cuerpo.
-La experiencia medial con las im\u00e1genes.
-An\u00e1lisis de casos: El problema del \u201carte rupestre\u201d y el \u201carte primitivo\u201d.<\/p>\n

\n

Unidad 2: Teor\u00eda del Acto de Imagen: Forma, percepci\u00f3n y cuerpo.<\/p>\n<\/blockquote>\n

-Teor\u00eda del Acto de Imagen.
-Forma, Percepci\u00f3n y cuerpo.
-La imagen t\u00e9cnica: Modelos, esquemas y visualizaci\u00f3n del conocimiento.
-Ver, visualizar, hacer visible.
-Imagen y conducta. Iconoclasia, censura y destrucci\u00f3n.<\/p>\n

\n

Unidad 3: La imagen ante el tiempo.<\/p>\n<\/blockquote>\n

-La forma ante el tiempo: Aby Warburg.
-Warburg y la antropolog\u00eda.
-Mnemosyne y la iconolog\u00eda de los intervalos.
-La imagen ante el tiempo: Anacronismo y supervivencia.
-Emoci\u00f3n, empat\u00eda, movimiento.
-Neurociencias y percepci\u00f3n.<\/p>\n

\n

Unidad 4: Im\u00e1genes, soportes y dispositivos.<\/p>\n<\/blockquote>\n

-Origen y genealog\u00eda del concepto de Cultura Visual
-La mirada como una pr\u00e1ctica social a lo largo de la historia.
-Historia de los medios de la imagen.
-Multimedialidad, intermedialidad, transmedialidad, remediaci\u00f3n.
-Dispositivos de la imagen y experiencia medial.
-An\u00e1lisis de casos.<\/p>\n

\n

Unidad 5: Antropolog\u00eda visual expandida: Realidad Mixta y experiencia corporal.<\/p>\n<\/blockquote>\n

-Introducci\u00f3n a la antropolog\u00eda visual.
-Antropolog\u00eda Visual y Realidades Mixtas.
-Tecnolog\u00edas h\u00e1pticas y experiencias inmersivas.
-Humanidades digitales y Patrimonio cultural digital.
-Cruces entre arte y etnograf\u00eda en las pr\u00e1cticas art\u00edsticas contempor\u00e1neas.
-Nuevas plataformas y pr\u00e1cticas curatoriales.
-Museos y Antropolog\u00eda.<\/p>\n<\/div>\n

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Seminarios y cursos de grado y posgrado<\/span><\/h3>\n

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Seminarios y cursos de grado y posgrado<\/strong><\/h2>\n

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2019-2020<\/span><\/h3>\n

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Apparatuses and images in Anthropology. From museums to contemporary artistic practices.<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>: Bimestre de Verano – 4\/02\/2019 al 23\/03\/2019.<\/p>\n

Schedule: Mondays and Wednesdays, 11 a.m. to 3 p.m. - Venue: Ethnographic Museum Ambrosettilas contemporary artistic practices.<\/p>\n

Professors<\/strong> Greta Winckler – Paula Bruno Garc\u00e9n<\/p>\n

<\/div>\n
This seminar aims to explore the functioning of images and to think about the link between the spectator and the images through their spatial arrangements and the construction of the situated gaze. Therefore, two basic premises are manifested: on the one hand, to recognise that vision is socially and historically (in)formed; but on the other hand - less explored - to make explicit that the visual field institutes the social field. Anthropology has also contributed methodologies for both Art History and contemporary art practices. The work of artists with communities and their presence in the field for prolonged periods of time allows us to compare this procedure with ethnographic fieldwork. Of course, the results and the scope of dissemination vary considerably, but we consider it feasible to contrast the two. This shows the need to think about the image on the basis of interdisciplinary studies.<\/div>\n

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\nProgramme<\/strong><\/p>\n

\n
Unidad I: Teor\u00eda(s) de la imagen<\/div>\n<\/blockquote>\n
Marcos te\u00f3rico-metodol\u00f3gicos de los estudios de la imagen.<\/div>\n
a) Ciencia y antropolog\u00eda de la imagen alemanas. Antropolog\u00eda de la imagen: Imagen medio y cuerpo. Teor\u00eda del acto ic\u00f3nico. Imagen y conducta.<\/div>\n
b) Qu\u00e9 quieren las im\u00e1genes: aproximaci\u00f3n a los Estudios visuales norteamericanos<\/div>\n
c) Imagen y tiempo. Aportes de Georges Didi-Huberman desde una perspectiva warbugiana.<\/div>\n
<\/div>\n
\n
Unidad II: Museos y dispositivos de conocimiento de culturas ex\u00f3ticas<\/div>\n<\/blockquote>\n
<\/div>\n
Cruces entre Arte y Antropolog\u00eda a partir de la noci\u00f3n de dispositivo. Arte y artefacto. El museo como dispositivo. Estrategias del coleccionar. Antropolog\u00eda Visual. Antropolog\u00eda, etnograf\u00eda y fotograf\u00eda.<\/div>\n
a) Arte y Antropolog\u00eda: de Franz Boas a James Clifford.<\/div>\n
b) Figuraciones de la otredad \u00e9tnica: las postales fotogr\u00e1ficas argentinas de principios de siglo XX<\/div>\n
c)El caso del Museo Etnogr\u00e1fico de la Universidad de Buenos Aires.<\/div>\n
<\/div>\n
\n
Unidad III: Una pregunta por el derecho a la imagen<\/div>\n<\/blockquote>\n
Resistencias, restituciones y apropiaciones en\/de las im\u00e1genes indigenistas. El caso de Inakayal vuelve (2018). Derecho de los pueblos a su auto-exposici\u00f3n. Matriz fantasm\u00e1tica: reconfiguraciones actuales de los discursos nacionalistas de principios de siglo XX. Cruces entre arte y etnograf\u00eda en las pr\u00e1cticas art\u00edsticas contempor\u00e1neas.<\/div>\n
<\/div>\n
Descargar Programa completo<\/a><\/div>\n

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Seminar
Crossing gazes in the museum: an approach from the Anthropology of the Image.<\/span><\/strong><\/span>
Summer 2020
Etnographic Museum Ambrosetti<\/p>\n

Professors<\/p>\n

This seminar problematises the relationship between images and observers by means of the notion of dispositif developed by Medienwissenschaft or Media Science. In particular, it reflects on the \u2018museum device\u2019 as an instrument of action that allows us to think about certain processes of subjectivation, particularly with regard to the construction of a gaze towards societies that have traditionally been central to ethnographic studies since the beginnings of the anthropological discipline. A question about how peoples are exposed refers to the relationship between the regimes of seeing that the West constructed in order to think about the categories We\/Others and the epistemic patterns that configured a coloniality of seeing as well as an ethnophagic gaze. Thinking about the role of anthropological museums becomes vital in order to understand the role of anthropology when it comes to figuring otherness.<\/p>\n

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Programa:_Cruce_de_miradas_en_el_museo_Antropologia_Bimestre_Verano_2020<\/a><\/p>\n

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Seminarios y cursos de grado y posgrado<\/span><\/h3>\n

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Seminarios y cursos de grado y posgrado<\/strong><\/h2>\n

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2012-2019<\/span><\/h3>\n

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Expanded Visual Anthropology
<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>: 1\u00ba Cuatrimestre de cada a\u00f1o. (Marzo-Junio) – Per\u00edodo: 2018-2020<\/p>\n

Professors<\/strong>
PhD. Marina Guti\u00e9rrez De Angelis<\/p>\n

Assistant Professors<\/strong>
Greta Winckler –\u00a0 Paula Bruno Garc\u00e9n<\/p>\n

Visual anthropology is today confronted with a range of old and new image media and devices that allow it to expand its possibilities for reflection and research with and through images. Interactive visual ethnographies, digital media, installations, virtual reality experiences, just to mention a few examples, have become a space of development for visual anthropology. Expanded Visual Anthropology suggests the way in which anthropological research articulates the image, its media and supports as well as the devices that activate them from new theoretical perspectives that have allowed experimentation beyond traditional methods. That is why this programme takes up the approaches proposed in the subjects Anthropology of Visual Culture and Anthropology of the Image, taught between 2014 and 2017, as well as a series of seminars on visual anthropology that we have been teaching since the 1990s in the Anthropological Sciences degree programme. This new subject is proposed as a continuation and deepening of the theoretical proposal oriented towards the study of the image from the perspective of anthropology, with the aim of proposing an approach that articulates visual anthropology with the contributions of the anthropology of the image and visual studies. We seek to reflect on the theoretical and methodological possibilities of an expanded visual anthropology where reflection on the image, its media and the devices where they are activated, is central.<\/p>\n

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\nProgramme<\/p>\n

\n

UNIDAD 1 : Antropolog\u00eda de la imagen.<\/strong><\/p>\n<\/blockquote>\n

-El debate te\u00f3rico-metodol\u00f3gico en torno a lo visual.
-Confusiones e imprecisiones para definir el campo de la visualidad.
-Hacia una teor\u00eda antropol\u00f3gica de la imagen: Medio, imagen y cuerpo.
-De la historia del arte a la historia de las im\u00e1genes.
-El cuerpo como lugar de las im\u00e1genes.
-Cuerpo y cultura. Experiencia medial con las im\u00e1genes.
-Imagen y conducta. La teor\u00eda de la respuesta.<\/p>\n

\n

UNIDAD 2 : La imagen ante el tiempo.<\/strong><\/p>\n<\/blockquote>\n

-Aby Warburg y la imagen ante el tiempo. El concepto de Pathosformeln.
-Mnemosyne y la iconolog\u00eda de los intervalos.
-El anacronismo y la supervivencia. Los aportes de Georges Didi-Huberman.
-La distancia hist\u00f3rica.
-Miradas sincr\u00f3nicas, diacr\u00f3nicas y heterocr\u00f3nicas.<\/p>\n

\n

UNIDAD 3: Im\u00e1genes, soportes y dispositivos.<\/strong><\/p>\n<\/blockquote>\n

–Origen y genealog\u00eda del concepto de Cultura Visual
-Historia de los medios de la imagen.
-Pantallas. Genealog\u00eda, tipolog\u00eda, experimentaciones.
-Anal\u00f3gico y digital. La especificidad del medio
-Multimedialidad, intermedialdiad, transmedialidad, remediaci\u00f3n.
-El medio como milieu, environment y atm\u00f3sfera. Dispositivos
-arqueolog\u00eda de los medios, antropolog\u00eda de los medios
-La mirada como una pr\u00e1ctica social a lo largo de la historia.
-La imagen conversacional, nuevos usos de la fotograf\u00eda y el video: Instagram, Twitter, Tumblr, Youtube. Gifs, Memes y Selfies. La imagen y los medios digitales.
-Realidad virtual, realidad aumentada y entornos ludoficcionales.<\/p>\n

\n

UNIDAD 4 : Antropolog\u00eda Visual expandida: Imagen, dispositivos y transmedialidad.<\/strong><\/p>\n<\/blockquote>\n

-Etnograf\u00eda visual, cine etnogr\u00e1fico, antropolog\u00eda visual y cine documental.
-Nuevos conceptos: Profilmia e impregnaci\u00f3n. Cine trance y cine verdad.
-Antropolog\u00eda Visual Expandida.
-Modalidades de interactividad y web 2.0. Webdocs, colaboraci\u00f3n y exploraci\u00f3n. Documental \u201cinteractivo\u201d, \u201cTransmedia\u201d, \u201cvirtual\u201d.
-Videoarte, Videoinstalaciones, Cine experimental, arte digital, net.art<\/em>. Nuevas plataformas: pr\u00e1cticas curatoriales y museos.
-Web colaborativa. La imagen interactiva y la co-creaci\u00f3n. Producci\u00f3n colectiva.
-Antropolog\u00eda Visual y nuevos medios digitales. Instalaciones, realidad virtuales, entornos ficcionales, redes sociales.<\/p>\n

Antropologia Visual Expandida programa 2018<\/a><\/p>\n

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Anthropology of Visual Culture<\/strong><\/span><\/h2>\n

1 Semester 2020<\/strong>1 Semester<\/p>\n

From 2015-2017<\/p>\n

Professors<\/strong>
PhD. Marina Guti\u00e9rrez De Angelis<\/p>\n

Assistant Professors<\/strong>
Greta Winckler- Paula Bruno Garc\u00e9n<\/p>\n

This course aims to bring students of the Anthropological Sciences degree closer to a renewed theoretical-methodological framework in a scenario in which the image can no longer be thought of simply from the parameters of the anthropology of art or visual anthropology. This perspective is proposed as a new space within the discipline in which current and past visual practices and phenomena can be contemplated and addressed by students as a specific object of study that requires its own theory and methodology. Starting from the theory of the anthropology of the image and visual studies, its application and experimentation in the field of visual anthropology is proposed based on the realization of film projects as well as studies of visual culture in general. An anthropological definition of images proposes us to recover their existential condition, exploring them as forms of presentation and not of representation. But they also constitute an extension and renewal of an object of study that goes beyond specific works, artifacts or media. A field that involves not only understanding the logic of the image(s) but also the construction of the visual field, the ways in which a visual order is established based on the devices of looking. The image is an anthropological phenomenon rather than an aesthetic or historical one. The anthropology of visual culture thus emerges as an approach from the discipline itself, in which the limitations inherent to the concept of art and aesthetics are overcome<\/p>\n

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\nprograma 2017<\/a><\/p>\n

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Thesis Seminar focused on Visual Anthropology.<\/strong><\/span><\/h3>\n

Theory and methodology of film-anthropological research.<\/span><\/h4>\n

2005-2013<\/p>\n

Professors<\/strong>
Carmen Guarini | Marina Guti\u00e9rrez De Angelis<\/p>\n

The main objective of this proposal is the development of film-anthropological research as a Bachelor's Thesis for the Degree Course. We propose to work from a theoretical-methodological perspective on the various aspects involved in anthropological research that proposes the use of audiovisual tools both within the research process and in the communication of results. The aim is for students to be able to apply the theoretical and methodological knowledge acquired in the various stages of the Degree Course, putting into play the theoretical frameworks, discussions and problems addressed with the aim of carrying out the production process of a Bachelor's Thesis project from the specific field of Visual Anthropology.<\/p>\n

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Master's Seminar: Perspectives on Art and Culture.<\/strong><\/span>
Gorka L\u00f3pez de Munain| Marina Guti\u00e9rrez De Angelis
Master's Degree in Artistic and Cultural Heritage in South America. FfyL. UBA.
2015-2022<\/p>\n

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The power of images<\/span>
New methodologies for art history<\/span><\/h3>\n

Professors<\/strong>
Gorka L\u00f3pez de Munain
Carrera de Artes (UBA). 2014<\/p>\n

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Anthropology of the image<\/span><\/h3>\n

Professors<\/strong>
Marina Guti\u00e9rrez De Angelis
Gorka L\u00f3pez de Munain<\/p>\n

Anthropological Sciences and Arts Degree (UBA). 2013<\/p>\n

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The power of images in visual culture 2.0<\/span><\/h3>\n

Professors<\/strong>
Marina Guti\u00e9rrez De Angelis
Gorka L\u00f3pez de Munain
Degree in Communication Sciences (UBA) 2016<\/p>\n

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Visual Studies and Image Theory<\/span><\/h3>\n

Professors<\/strong>
Marina Guti\u00e9rrez De Angelis
Gorka L\u00f3pez de Munain<\/p>\n

Communication Sciences Degree (UBA) 2015<\/p>\n

<\/h3>\n

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Other Courses<\/strong><\/h1>\n

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Knowledge visualization experiences. Analysis and design of exhibition proposal
<\/span><\/strong><\/h4>\n

Place: Faculty of Philosophy and Letters, University of Buenos Aires. CUEX 2023 Program.<\/p>\n

Coordination: Lic. Greta Winckler y Mg. Paula Bruno
Schedule: 2023<\/strong><\/p>\n

Programme<\/strong><\/a><\/p>\n

Enrolmente: 10\/05\/2023 to 15\/07\/2023.<\/p>\n

Learn More<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/BannerAntropologia27octubre.jpg\u00bb title_text=\u00bbBannerAntropologia27octubre\u00bb _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Visual Anthropology I. The image and its anthropological condition.
<\/span><\/strong><\/h4>\n

Location: Faculty of Social Sciences and Communication of the University of La Laguna | Canary Islands Association of Social and Cultural Anthropology, Tenerife (Canary Islands, Spain).<\/p>\n

Professors: Lic. Greta Winckler y Lic. Belma Hern\u00e1ndez-Franc\u00e9s Le\u00f3n.
Schedule: 2022<\/strong><\/p>\n

Learn More<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/proa-digital.png\u00bb title_text=\u00bbproa digital\u00bb _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Museums, cultural heritage and new digital technologies.
<\/span><\/strong><\/h4>\n

New online course within the framework of the exhibition A panorama of this world at Fundaci\u00f3n Proa<\/p>\n

Professors: Marina Guti\u00e9rrez De Angelis, Gorka L\u00f3pez de Munain, Greta Winckler y Paula Bruno Garc\u00e9n<\/p>\n

Start: 5 April 2022<\/strong> (inscripciones abiertas hasta el viernes 1 de abril)
Modalidad a distancia: Asincr\u00f3nica y sincr\u00f3nica a trav\u00e9s del campus virtual de la FADU-UBA.
2 months,
Target audience: professionals interested in the subject of the course. Teachers, researchers, museum and cultural institution staff.
Certificates issued by FADU-UBA
Special discounts for students, teachers and graduates of the University of Buenos Aires and National Universities throughout the country.<\/p>\n

Learn More<\/span><\/strong><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/cursovisualizarproa.jpeg\u00bb title_text=\u00bbcursovisualizarproa\u00bb _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Visualizing and rendering visible. Image, truth and evidence in artistic practices<\/strong><\/span><\/p>\n

UBA-FADU\/PROA
Professors: Marina Guti\u00e9rrez De Angelis, Paula Bruno, Greta Winckler.
Virtual - Start 15 June 2021<\/strong> – Duraci\u00f3n 2 meses.<\/p>\n

Learn More<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb35px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ custom_padding=\u00bb0px|||||\u00bb z_index_tablet=\u00bb0″ text_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_text_shadow_blur_strength_tablet=\u00bb1px\u00bb link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_2_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_2_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_2_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_3_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_3_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_3_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_4_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_4_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_4_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_5_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_5_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_5_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_6_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_6_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_6_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

<\/span><\/strong><\/p>\n

<\/span><\/strong><\/p>\n

Anthropology of the image. New perspectives for thinking about contemporary art.<\/span><\/strong>
Professors: Greta Winckler \u2013 Paula Bruno
Location: Universidad Nacional de las Artes \u2013 Per\u00edodo: 2017<\/p>\n

Approaches to the Body from an Anthropology of the Image.<\/strong><\/span>
Professors: Greta Winckler \u2013 Paula Bruno
Universidad Nacional de las Artes \u2013 Per\u00edodo: 2018<\/p>\n

Anthropology of the Image. An Approach from Visual Studies<\/strong><\/span>
Professors: Greta Winckler \u2013 Paula Bruno
Universidad Nacional de las Artes \u2013 Per\u00edodo: 2019<\/p>\n

Introduction to the Anthropology of the Image<\/strong><\/span>
Professors: Greta Winckler \u2013 Paula Bruno
Faculty of Philosophy and Letters, University of Buenos Aires (virtual mode)
2021<\/p>\n

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Anthropology of the image<\/strong> <\/span>
\nDocentes a cargo: Greta Winckler – Paula Bruno Martes 17 hs- Inicio: 8 de mayo de 2018- UNA. Bartolome Mitre 1869 (CABA)[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":"

                             Seminarios y cursos de grado y posgrado2026Antropolog\u00eda de la Imagen Dictado: 1\u00ba Cuatrimestre de 2026 Destinatarias\/os: Alumnas\/os de las carreras de Ciencias Antropol\u00f3gicas y Arqueolog\u00eda.(Alumnas\/os de otras carreras pueden inscribirse\u00a0 a traves de:Pre-Inscripci\u00f3n Alumnos bajo la Res. (CSP) N\u00ba 841\/85 Equipo docente: Dra. Marina Guti\u00e9rrez De Angelis, Dra. Greta Winckler, Dra. Paula Bruno y Dr. Gorka L\u00f3pez de MunainHORARIO: JUEVES 16-20 Modalidad: Virtual Inscripciones: Inicio de cursada: 19 de marzo Inscripciones: 09\/03 al 13\/03 Pre-Inscripci\u00f3n Alumnos bajo la Res. (CSP) N\u00ba 841\/85:\u00a0Del 18\/02 al 4\/03. M\u00e1s informaci\u00f3n: AQUI Alumnxs externxs consultas: antropologiavisualuba@gmail.com  Unidad 1: Antropolog\u00eda de la Imagen -Antropolog\u00eda e Historia del Arte.-Problemas y dificultades en torno al concepto de arte y est\u00e9tica.-De la historia del arte a la historia de las im\u00e1genes.-Arte y artefacto. Antropolog\u00eda e imagen-El problema del \u201carte rupestre\u201d y el \u201carte primitivo\u201d.-El debate te\u00f3rico-metodol\u00f3gico en torno a lo visual-Hacia una teor\u00eda antropol\u00f3gica de la imagen.-Cuerpo e imagen: La experiencia medial con las im\u00e1genes.-La imagen como objeto de estudio de la Antropolog\u00eda. Unidad 2: Imagen, Percepci\u00f3n y cuerpo -Teor\u00eda del Acto de imagen.-Forma, Percepci\u00f3n y cuerpo.-La imagen t\u00e9cnica. Ciencia y visualizaci\u00f3n del conocimiento.-Enfoques […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1226","page","type-page","status-publish","hentry"],"yoast_head":"\nDocencia - \u00c1rea de Antropolog\u00eda Visual<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antropologiavisual.com.ar\/en\/docencia\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Docencia\" \/>\n<meta property=\"og:description\" content=\"                             Seminarios y cursos de grado y posgrado2026Antropolog\u00eda de la Imagen Dictado: 1\u00ba Cuatrimestre de 2026 Destinatarias\/os: Alumnas\/os de las carreras de Ciencias Antropol\u00f3gicas y Arqueolog\u00eda.(Alumnas\/os de otras carreras pueden inscribirse\u00a0 a traves de:Pre-Inscripci\u00f3n Alumnos bajo la Res. 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