[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.16″ custom_margin=\u00bb-66px|||||\u00bb custom_padding=\u00bb10px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb27px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttp:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/imagen-cuerpo2.png\u00bb align_tablet=\u00bbcenter\u00bb align_phone=\u00bb\u00bb align_last_edited=\u00bbon|desktop\u00bb admin_label=\u00bbImagen cuerpos\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb animation=\u00bboff\u00bb sticky=\u00bboff\u00bb always_center_on_mobile=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_tabs _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb 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body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_blur_strength_phone=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
This volume brings together the results and research advances carried out within the framework of the UBACyT 20020170200180BA project of the Visual Anthropology Department of the University of Buenos Aires. This project takes up the advances of its predecessor to address the analysis of the relationship between images, media and the body. Although the chapters compiled here address different themes, they are united by a working hypothesis that maintains that the current \u201cvirtual world\u201d is presented to us as a place where images remain linked to the body, and that makes it evident that the body continues to be the place of images. Although the much-talked-about disembodiment confronts us with new carrier media, which offer users experiences that can only be with their own body, medial (digital) disembodiment, instead of erasing the body, places it at the center of their experience.<\/p>\n
\nDownload<\/strong><\/a><\/p>\n<\/blockquote>\n
[\/et_pb_tab][et_pb_tab title=\u00bbIndice\u00bb title_tablet=\u00bbIndice\u00bb title_phone=\u00bbIndice\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ vertical_offset_phone=\u00bb0″ horizontal_offset_tablet=\u00bb0″ horizontal_offset_phone=\u00bb0″ background_color_gradient_direction_tablet=\u00bb180deg\u00bb background_color_gradient_direction_phone=\u00bb180deg\u00bb background_color_gradient_stops_tablet=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_stops_phone=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_start_position_tablet=\u00bb0%\u00bb background_color_gradient_start_position_phone=\u00bb0%\u00bb background_color_gradient_end_position_tablet=\u00bb100%\u00bb background_color_gradient_end_position_phone=\u00bb100%\u00bb z_index_tablet=\u00bb0″ z_index_phone=\u00bb0″ hover_transition_duration_tablet=\u00bb300ms\u00bb hover_transition_duration_phone=\u00bb300ms\u00bb hover_transition_delay_tablet=\u00bb0ms\u00bb hover_transition_delay_phone=\u00bb0ms\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_blur_strength_phone=\u00bb1px\u00bb tab_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb tab_text_shadow_horizontal_length_phone=\u00bb0px\u00bb tab_text_shadow_vertical_length_tablet=\u00bb0px\u00bb tab_text_shadow_vertical_length_phone=\u00bb0px\u00bb tab_text_shadow_blur_strength_tablet=\u00bb1px\u00bb tab_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_blur_strength_phone=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
Prologue<\/em>
Marina Guti\u00e9rrez De Angelis<\/p>\nGenealog\u00eda de los dispositivos inmersivos: los panoramas de rotonda decimon\u00f3nicos,<\/em>
Paula Bruno<\/p>\nEl clon o el moderno Prometeo: Imagen y reencarnaci\u00f3n biocibern\u00e9tica en las series de ciencia ficci\u00f3n contempor\u00e1neas<\/em>
Marina Guti\u00e9rrez De Angelis<\/p>\nImagen, cuerpo y pol\u00edtica. Proceso de zombificaci\u00f3n en el gabinete nacional<\/em>
Greta Winckler<\/p>\nOperaci\u00f3n Pixuleco: guerra de im\u00e1genes durante las campa\u00f1as por el encarcelamiento de Lula<\/em>
Mar\u00eda Paz Matia<\/p>\nDe avatares, androides y cyborgs. Una reflexi\u00f3n antropol\u00f3gica sobre las im\u00e1genes del cuerpo en ciencia ficci\u00f3n<\/em>
Agustina Mes\u00eda Crawley & Mar\u00eda Florencia Strano<\/p>\n[\/et_pb_tab][et_pb_tab title=\u00bbAutor@s\u00bb title_tablet=\u00bbAutor@s\u00bb title_phone=\u00bbAutor@s\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ vertical_offset_phone=\u00bb0″ horizontal_offset_tablet=\u00bb0″ horizontal_offset_phone=\u00bb0″ background_color_gradient_direction_tablet=\u00bb180deg\u00bb background_color_gradient_direction_phone=\u00bb180deg\u00bb background_color_gradient_stops_tablet=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_stops_phone=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_start_position_tablet=\u00bb0%\u00bb background_color_gradient_start_position_phone=\u00bb0%\u00bb background_color_gradient_end_position_tablet=\u00bb100%\u00bb background_color_gradient_end_position_phone=\u00bb100%\u00bb z_index_tablet=\u00bb0″ z_index_phone=\u00bb0″ hover_transition_duration_tablet=\u00bb300ms\u00bb hover_transition_duration_phone=\u00bb300ms\u00bb hover_transition_delay_tablet=\u00bb0ms\u00bb hover_transition_delay_phone=\u00bb0ms\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_blur_strength_phone=\u00bb1px\u00bb tab_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb tab_text_shadow_horizontal_length_phone=\u00bb0px\u00bb tab_text_shadow_vertical_length_tablet=\u00bb0px\u00bb tab_text_shadow_vertical_length_phone=\u00bb0px\u00bb tab_text_shadow_blur_strength_tablet=\u00bb1px\u00bb tab_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_blur_strength_phone=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
Marina Guti\u00e9rrez De Angelis
Paula Bruno
Greta Winckler
Maria Paz Matia
Agustina Mesia Crawley
Mar\u00eda Florencia Strano<\/p>\n[\/et_pb_tab][et_pb_tab title=\u00bbDescargar\u00bb title_tablet=\u00bbDescargar\u00bb title_phone=\u00bbDescargar\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ vertical_offset_phone=\u00bb0″ horizontal_offset_tablet=\u00bb0″ horizontal_offset_phone=\u00bb0″ background_color_gradient_direction_tablet=\u00bb180deg\u00bb background_color_gradient_direction_phone=\u00bb180deg\u00bb background_color_gradient_stops_tablet=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_stops_phone=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_start_position_tablet=\u00bb0%\u00bb background_color_gradient_start_position_phone=\u00bb0%\u00bb background_color_gradient_end_position_tablet=\u00bb100%\u00bb background_color_gradient_end_position_phone=\u00bb100%\u00bb z_index_tablet=\u00bb0″ z_index_phone=\u00bb0″ hover_transition_duration_tablet=\u00bb300ms\u00bb hover_transition_duration_phone=\u00bb300ms\u00bb hover_transition_delay_tablet=\u00bb0ms\u00bb hover_transition_delay_phone=\u00bb0ms\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_blur_strength_phone=\u00bb1px\u00bb tab_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb tab_text_shadow_horizontal_length_phone=\u00bb0px\u00bb tab_text_shadow_vertical_length_tablet=\u00bb0px\u00bb tab_text_shadow_vertical_length_phone=\u00bb0px\u00bb tab_text_shadow_blur_strength_tablet=\u00bb1px\u00bb tab_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_blur_strength_phone=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]Descargar libro<\/a> <\/p>\n
[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb column_structure=\u00bb1_3,2_3″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttp:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Guia_de_estudio_de_Arte_y_cultura_Introd.jpg\u00bb align_tablet=\u00bbcenter\u00bb align_phone=\u00bb\u00bb align_last_edited=\u00bbon|desktop\u00bb admin_label=\u00bbguia\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb 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Study guide for the subject Art and Culture of the Master's Degree in Heritage and Culture in Colonial South America. University of Buenos Aires. Faculty of Philosophy and Letters.<\/p>\n
\nDownload<\/strong><\/a><\/p>\n<\/blockquote>\n
[\/et_pb_tab][et_pb_tab title=\u00bbIndice\u00bb title_tablet=\u00bbIndice\u00bb title_phone=\u00bbIndice\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ vertical_offset_phone=\u00bb0″ horizontal_offset_tablet=\u00bb0″ horizontal_offset_phone=\u00bb0″ background_color_gradient_direction_tablet=\u00bb180deg\u00bb background_color_gradient_direction_phone=\u00bb180deg\u00bb background_color_gradient_stops_tablet=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_stops_phone=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_start_position_tablet=\u00bb0%\u00bb background_color_gradient_start_position_phone=\u00bb0%\u00bb background_color_gradient_end_position_tablet=\u00bb100%\u00bb background_color_gradient_end_position_phone=\u00bb100%\u00bb z_index_tablet=\u00bb0″ z_index_phone=\u00bb0″ hover_transition_duration_tablet=\u00bb300ms\u00bb hover_transition_duration_phone=\u00bb300ms\u00bb hover_transition_delay_tablet=\u00bb0ms\u00bb hover_transition_delay_phone=\u00bb0ms\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_blur_strength_phone=\u00bb1px\u00bb tab_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb tab_text_shadow_horizontal_length_phone=\u00bb0px\u00bb tab_text_shadow_vertical_length_tablet=\u00bb0px\u00bb tab_text_shadow_vertical_length_phone=\u00bb0px\u00bb tab_text_shadow_blur_strength_tablet=\u00bb1px\u00bb tab_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_blur_strength_phone=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
UNIDAD 1. NUEVOS MARCOS TE\u00d3RICO-METODOL\u00d3GICOS<\/p>\n
Sesi\u00f3n 1………………………………………………………………………………………. 9
Partamos de una pregunta, \u00bfqu\u00e9 es una imagen?…………………………….. 9
La imagen, el lenguaje y la mirada……………………………………………….. 14<\/p>\nSesi\u00f3n 2………………………………………………………………………………………. 20<\/p>\n
\u00bfQu\u00e9 es una imagen? \u00bfTiene sentido pregunt\u00e1rselo?………………………… 20
De la historia del arte a la historia de las im\u00e1genes …………………………. 23
Hacia una antropolog\u00eda de la imagen……………………………………………. 24
Los Visual Studies y la Bildwissenschaft………………………………………… 27<\/p>\nUNIDAD 2. LA PRESENCIA EN LAS IM\u00c1GENES<\/p>\n
Sesi\u00f3n 1 ……………………………………………………………………………………… 33
Imagen y presencia……………………………………………………………………. 33
La imagen como lugar de la presencia. Un gesto anacr\u00f3nico…………….. 37
\u00bfQu\u00e9 habita las im\u00e1genes? ………………………………………………………….. 39<\/p>\nSesi\u00f3n 2 ……………………………………………………………………………………… 41
La imagen, el medio y el cuerpo en las representaciones del rey…………. 41
Imagen, medio, cuerpo como marco te\u00f3rico para pensar las
representaciones del rey……………………………………………………………… 43
Algunos ejemplos\/aproximaciones a los \u201cmedios\u201d del rey…………………. 43<\/p>\nUNIDAD 3. LA IMAGEN, EL TIEMPO Y LA HISTORIA<\/p>\n
Sesi\u00f3n 1 ……………………………………………………………………………………… 47
Los tiempos de la imagen……………………………………………………………. 47
Miradas sincr\u00f3nicas, diacr\u00f3nicas y heterocr\u00f3nicas ………………………….. 52<\/p>\nUNIDAD 4. EL PODER DE LAS IM\u00c1GENES. MIRADAS,
ESPECTADORES Y CONDUCTAS<\/p>\nSesi\u00f3n 1 ……………………………………………………………………………………… 55
Introducci\u00f3n a los poderes de las im\u00e1genes……………………………………. 55
Sesi\u00f3n 2 ……………………………………………………………………………………… 58
Imagen y devoci\u00f3n. El componente visual de la eficacia…………………… 58
El caso de la Virgen de Ar\u00e1nzazu …………………………………………………. 61
Exvotos y ofrendas…………………………………………………………………….. 64<\/p>\nSesi\u00f3n 3 ……………………………………………………………………………………… 67
Iconoclasia e idolatr\u00eda………………………………………………………………… 67
La condena a las pr\u00e1cticas idol\u00e1tricas como posible origen de la iconoclasia 67
Imagen, devoci\u00f3n y materialidad………………………………………………….69<\/p>\nUNIDAD 5. LA GUERRA DE LAS IM\u00c1GENES EN LATINOAM\u00c9RICA<\/p>\n
Sesi\u00f3n 1 ……………………………………………………………………………………… 77
Barroco y cultura visual……………………………………………………………… 77
El poder de las im\u00e1genes-espect\u00e1culo……………………………………………. 82<\/p>\nSesi\u00f3n 2………………………………………………………………………………………. 85
El problema de la idolatr\u00eda………………………………………………………….. 85<\/p>\nSesi\u00f3n 3………………………………………………………………………………………. 94
Am\u00e9rica como laboratorio de im\u00e1genes…………………………………………. 94<\/p>\nSesi\u00f3n 4………………………………………………………………………………………. 106
Los Reyes distantes. Im\u00e1genes y poder en Am\u00e9rica………………………….. 106
El poder se da en im\u00e1genes ………………………………………………………… 110<\/p>\n[\/et_pb_tab][et_pb_tab title=\u00bbAutor@s\u00bb title_tablet=\u00bbAutor@s\u00bb title_phone=\u00bbAutor@s\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ vertical_offset_phone=\u00bb0″ horizontal_offset_tablet=\u00bb0″ horizontal_offset_phone=\u00bb0″ background_color_gradient_direction_tablet=\u00bb180deg\u00bb background_color_gradient_direction_phone=\u00bb180deg\u00bb background_color_gradient_stops_tablet=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_stops_phone=\u00bb#2b87da 0%|#29c4a9 100%\u00bb background_color_gradient_start_position_tablet=\u00bb0%\u00bb background_color_gradient_start_position_phone=\u00bb0%\u00bb background_color_gradient_end_position_tablet=\u00bb100%\u00bb background_color_gradient_end_position_phone=\u00bb100%\u00bb z_index_tablet=\u00bb0″ z_index_phone=\u00bb0″ hover_transition_duration_tablet=\u00bb300ms\u00bb hover_transition_duration_phone=\u00bb300ms\u00bb hover_transition_delay_tablet=\u00bb0ms\u00bb hover_transition_delay_phone=\u00bb0ms\u00bb body_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_text_shadow_blur_strength_phone=\u00bb1px\u00bb tab_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb tab_text_shadow_horizontal_length_phone=\u00bb0px\u00bb tab_text_shadow_vertical_length_tablet=\u00bb0px\u00bb tab_text_shadow_vertical_length_phone=\u00bb0px\u00bb tab_text_shadow_blur_strength_tablet=\u00bb1px\u00bb tab_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_link_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_link_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_link_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ul_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ul_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_ol_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_ol_text_shadow_blur_strength_phone=\u00bb1px\u00bb body_quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_horizontal_length_phone=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb body_quote_text_shadow_vertical_length_phone=\u00bb0px\u00bb body_quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb body_quote_text_shadow_blur_strength_phone=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
Marina Guti\u00e9rrez De Angelis | Gorka L\u00f3pez de Munain<\/p>\n
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<\/p>\n
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[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/9789873923104.jpg\u00bb align_tablet=\u00bbcenter\u00bb align_phone=\u00bb\u00bb align_last_edited=\u00bbon|desktop\u00bb _builder_version=\u00bb4.20.2″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ hover_enabled=\u00bb0″ z_index_tablet=\u00bb0″ box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb animation=\u00bboff\u00bb sticky=\u00bboff\u00bb always_center_on_mobile=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb title_text=\u00bb9789873923104″ sticky_enabled=\u00bb0″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_tabs _builder_version=\u00bb4.20.2″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0″ use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″][et_pb_tab title=\u00bbSinopsis\u00bb _builder_version=\u00bb4.20.2″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n
Carmen Guarini<\/p>\n
Visual Anthropology of Absence is an insistent exercise on memory, a territory where both visual anthropology and cinema meet. The essays that make up this volume understand that memory is work, time and body. They expose the making of a visual practice that is aware that the image belongs to a universe whose own logic is crossed by time, by the fragment, by the fleeting threads that fuse these mobile pieces, which can be activated or erased by the forces of oblivion. An aesthetic of the fragmentary belongs to memory, just as it does to cinema or personal memory.<\/p>\n
Editorial: SANS SOLEIL EDICIONES ARGENTINA
Paginas: 188
Edici\u00f3n: 2017
ISBN 9789873923104<\/p>\nBuy<\/a><\/p>\n
[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttp:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/portada_antropologia_imagen-510×510.jpg\u00bb align_tablet=\u00bbcenter\u00bb align_phone=\u00bb\u00bb align_last_edited=\u00bbon|desktop\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb animation=\u00bboff\u00bb sticky=\u00bboff\u00bb always_center_on_mobile=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_tabs _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_tab title=\u00bbSinopsis\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
This volume brings together the research papers presented at the III Anthropology and Image Conference held in September 2014 at the Juan B. Ambrosetti Ethnographic Museum in Buenos Aires and organized each year by the Visual Anthropology Department (AAV) of the Institute of Anthropological Sciences of the University of Buenos Aires. The decision to convene this meeting annually responds to the need to advance in the development of approaches that propose updated perspectives for the study of the image from anthropology and in open dialogue with other disciplines such as Art History.
\nEste volumen recopila una serie de trabajos que se proponen el an\u00e1lisis de las imagen como objeto de reflexi\u00f3n antropol\u00f3gica.<\/p>\n[\/et_pb_tab][et_pb_tab title=\u00bbIndice\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
\nIntroducci\u00f3n.<\/p>\n
1- Inmortalidad medial: imagen y muerte en la era digital, Marina Gutierrez De Angelis
\n2- Las im\u00e1genes y la muerte. Tentativas para pensar la \u201cpresencia\u201d, Gorka L\u00f3pez de Munain
\n3- Pensar con el cuerpo y decir con im\u00e1genes. Una aproximaci\u00f3n desde la antropolog\u00eda visual y la antropolog\u00eda del cuerpo a una
\npropuesta integral de medicina ind\u00edgena, Laura Mac Laughlin.
\n4- La mirada de la SFAA: el caso del Ferrocarril Transandino, Julieta Pestarino
\n5- La manifestaci\u00f3n pol\u00edtica y sus formas: la acci\u00f3n colectiva y su entorno visual, Greta Winckler.<\/p>\n<\/div>\n[\/et_pb_tab][et_pb_tab title=\u00bbAutor@s\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
\nCarmen Guarini \u2013 Marterina G. De Angelis (Coordinadoras)<\/p>\n
Authors<\/strong><\/p>\n
PhD. Marina Guti\u00e9rrez De Angelis
\nGorka L\u00f3pez de Munain
\nJulieta Pestarino
\nGreta Winckler
\nLaura MacLaughlin<\/p>\n<\/div>\n[\/et_pb_tab][et_pb_tab title=\u00bbDescargar\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb]Descargar libro<\/a><\/p>\n
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\n[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttp:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/portada.jpg\u00bb align_tablet=\u00bbcenter\u00bb align_phone=\u00bb\u00bb align_last_edited=\u00bbon|desktop\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb animation=\u00bboff\u00bb sticky=\u00bboff\u00bb always_center_on_mobile=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_tabs _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_tab title=\u00bbSinopsis\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\nThis volume brings together the research papers presented within the framework of the II Anthropology and Image Conference, organized each year by the Visual Anthropology Area (AAV) of the Institute of Anthropological Sciences of the University of Buenos Aires. The decision to convene this meeting annually responds to the need to advance in the development of approaches that propose updated perspectives for the study of the image, from anthropology and in open dialogue with other disciplines such as Art History.<\/p>\n
The image has been and continues to be one of the most slippery terrains within the social sciences and humanities. The history of its conceptual confusions, marked by the dominant theories of each era or academic fashions, not to mention the extensive debate within the field of philosophy, have turned it into one of the great challenges for the humanities disciplines. Curiously, the difficulty of addressing it is accompanied by a growing use by the social disciplines as well as by its proliferation, boosted by digital media.<\/p>\n
The book is organized in two parts. The first compiles a series of works that propose diverse approaches, both from the field of visual anthropology and image, and were presented in the framework of the II Jornadas de Antropolog\u00eda e Imagen (2nd Conference on Anthropology and Image) held in September 2013 at the Museo Etnogr\u00e1fico Juan B. Ambrosetti in the city of Buenos Aires, as well as in the Working Group coordinated by the AAV at the VII Jornadas Santiago Wallace de Investigaci\u00f3n en Antropolog\u00eda Social (7th Santiago Wallace Conference on Social Anthropology), November 27-29, 2013.<\/p>\n
The second part is based on a series of reflections on the documentary El etn\u00f3grafo<\/i> (2012) by Ulises Rosell, through studies that address, from different perspectives, the critique of the representation of cultural stereotypes of otherness. The image is not independent of the conditions of production of knowledge, but rather forms part of processes that allow the construction of both an image and relationships involving researchers, filmed subjects and audiences. The image is a dimension of meaning that forces us to investigate its forms of production, its relationship with thought, reception, gaze, interaction with filmed subjects or the anthropologist's own experience.<\/p>\n
This first volume seeks to initiate a path of reflection on the image, understood not only as a methodology but also as an experience whose definition cannot be other than anthropological.<\/p>\n
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