[et_pb_section fb_built=\u00bb1″ fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.16″ global_colors_info=\u00bb{}\u00bb][et_pb_fullwidth_image src=\u00bbhttp:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/slider_inicio_06.png\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.16″ background_color=\u00bb#00a5a2″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ custom_padding=\u00bb2px||0px|||\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ custom_padding=\u00bb||0px|||\u00bb z_index_tablet=\u00bb0″ box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.16″ text_font=\u00bbAlegreya SC|||on|||||\u00bb vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ width=\u00bb100%\u00bb custom_margin=\u00bb|-174px|-18px|-119px||\u00bb custom_padding=\u00bb|3px|31px|0px||\u00bb z_index_tablet=\u00bb0″ text_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_text_shadow_blur_strength_tablet=\u00bb1px\u00bb link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_2_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_2_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_2_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_3_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_3_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_3_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_4_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_4_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_4_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_5_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_5_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_5_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_6_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_6_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_6_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
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Image, Medium, Body<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.16″ global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb column_structure=\u00bb1_4,3_4″][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttp:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/borrell.jpg\u00bb _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb3_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ text_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_text_shadow_blur_strength_tablet=\u00bb1px\u00bb link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_2_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_2_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_2_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_3_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_3_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_3_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_4_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_4_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_4_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_5_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_5_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_5_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_6_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_6_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_6_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n The contributions from the so-called iconic turn in Germany, the pictorial turn in American Visual Studies, and the work of Georges Didi-Huberman in the field of Art History have been key to revitalizing and opening up new possibilities for both disciplines in terms of how to value and understand the image. The studies referring to this new way of approaching the image, from the systematization of a science of the image (Bildwissenschaft), have as their founding act the coining of the concept of \u201ciconic turn\u201d or \u201cpictorial turn\u201d by the authors Gottfried Boehm (1995) with his work Was ist ein Wild? and W.J.T. Mitchell with his work Picture Theory (1994). The turn as a concept suggests the shift from the textual paradigm to that of the image. Within this trend, anthropology has been pointed out as the model to follow for thinking about the image, recovering the concept of \u201cpresence\u201d rather than \u201cmeaning\u201d to refer to it.<\/p>\n This new turn towards images implies a new way of approaching visual artefacts that transcends the field of art and exceeds the semiotic interpretation based on the representation regimes imposed by the linguistic paradigm. An anthropological definition of images proposes to recover their existential condition, exploring them as forms of presentation and not of representation. Bildanthropologie or Anthropology of the Image, has Hans Belting as its main reference thanks to the program that he started in 2000 at the Hochschule f\u00fcr Gestaltung in Karlsruhe with the name of \u201cAnthropology and Image: Image \u2013 Medium \u2013 Body\u201d. Although the concept of anthropology of the image can lead to confusion, Belting rightly points out that it is necessary to understand that the image has the human as its condition.<\/p>\n The study of images and visuality implies the redefinition of the concept of the medium. Each of these three terms \u2013 image, medium, apparatus \u2013 is defined in different ways by authors in the fields of art history, anthropology, film theory and mass media, as well as by studies on visual culture itself. The term support indicates materials of a diverse nature that make possible the visualization of a specific image, not exclusively mental. The question of the medium is addressed in historically and culturally situated terms, considering the supports as part of these technical-material conditions that contribute to determining the ways in which an image circulates, changes, transforms and is observed within a given cultural context.<\/p>\n The question about the medium is also the question about the image. Like two sides of the same coin, image and medium merge to give meaning and form to the experience. However, as with the notion of image, countless theories and approaches have been poured over the medium, which, at times, far from illuminating the path, have ended up obscuring it. From Aristotelian texts we already find reflections about that intermedial instance that connects us with the world: the space where images and experiences are generated. This consideration of the medium as a \u201cplace,\u201d as a space of connection, reappeared in the Middle Ages in the key of Aristotelian exegesis (for example, in the writings of Averroes), but its influence soon began to fade in favor of a more material mediality. Emanuele Coccia has brought this perspective back to the table with what he himself has called \u201csensitive life\u201d: for the Italian philosopher, this sensitive life is \u201cthe way in which we give ourselves to the world, the way in which we are in the world (\u2026) and, at the same time, the medium in which the world becomes knowable, feasible and livable for us\u201d. Recently, the philosopher Emmanuel Alloa, very interested in the medium as a space and place of interaction, has introduced a concept that allows us to approach other possibilities of the media: transparency. For Hans Belting, the medium operates in a coordinated manner with the body to generate the image; it is, therefore, in the interrelation of this conceptual triad (image-medium-body) where what we often call image arises, in an often thoughtless way. Other researchers such as Dieter Mersch or Siegfried Zielinski (with different proposals) seek, on the contrary, to return to an archaeology of the media to study their potential to create knowledge<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.16″ global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ text_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_text_shadow_blur_strength_tablet=\u00bb1px\u00bb link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_2_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_2_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_2_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_3_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_3_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_3_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_4_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_4_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_4_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_5_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_5_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_5_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_6_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_6_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_6_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Projects<\/strong><\/span><\/p>\n<\/blockquote>\n [\/et_pb_text][et_pb_filterable_portfolio fullwidth=\u00bboff\u00bb include_categories=\u00bb73″ _builder_version=\u00bb4.16″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb filter_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb filter_text_shadow_vertical_length_tablet=\u00bb0px\u00bb filter_text_shadow_blur_strength_tablet=\u00bb1px\u00bb caption_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb caption_text_shadow_vertical_length_tablet=\u00bb0px\u00bb caption_text_shadow_blur_strength_tablet=\u00bb1px\u00bb pagination_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb pagination_text_shadow_vertical_length_tablet=\u00bb0px\u00bb pagination_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb box_shadow_horizontal_image_tablet=\u00bb0px\u00bb box_shadow_vertical_image_tablet=\u00bb0px\u00bb box_shadow_blur_image_tablet=\u00bb40px\u00bb box_shadow_spread_image_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_filterable_portfolio][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb][et_pb_column _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb type=\u00bb4_4″][et_pb_text _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Winckler, Greta.\u00a0\u201cDerivas fotogr\u00e1ficas. Retratos de Hans Mann en el Gran Chaco\u201d, en co-autor\u00eda con la Dra. Julieta Pestarino (FFyL-UBA). En Campos, Revista de Antropolog\u00eda. Vol. 23, N\u00ba1, Brasil, 2022\u00a0<\/a><\/p>\n Winckler, Greta. \u201cEstar expuestas: la visualizaci\u00f3n de la violencia de g\u00e9nero en la producci\u00f3n fotogr\u00e1fica \u201cNi una m\u00e1s, basta de Femicidios\u201d, Revista Gente, Argentina\u201d, Artefacto visual, vol. 7 n\u00fam 13, Espa\u00f1a,2022<\/a>.<\/p>\n \n Gutierrez De Angelis, Marina, Winckler, Greta. Rostro y m\u00e1scara: De la antig\u00fcedad a la imagen digital. VI Jornadas de Hermen\u00e9utica, \u00abFiguras y texturas de Nuestram\u00e9rica\u00bb 11 y 12 de julio de 2019, IEALC\/FSOC UBA.\u00a0<\/p>\n Gondra Aguirre, Ander; G. De \u00c1ngelis, Marina; L\u00f3pez de Munain, Gorka,\u00a0<\/span>Jerusal\u00e9n en Buenos Aires todos los d\u00edas del a\u00f1o. Imagen, replica, devoci\u00f3n<\/em>, e-imagen, Revista 2.0, Sans Soleil Ediciones, Espa\u00f1a-Argentina, ISSN 2362-4981.<\/a><\/p>\n G. De Angelis, Marina. \u201cEl rostro como dispositivo. De la antropometr\u00eda a la imagen biom\u00e9trica\u201d, e-imagen Revista 2.0, N\u00ba 4, Sans Soleil Ediciones, Espa\u00f1a-Argentina, 2017, ISSN 2362-4981<\/a><\/p>\n G. De Angelis, Marina. \u201cDel Atlas mnemosyne a GIPHY: La supervivencia de las im\u00e1genes en la era del GIF\u201d, e-imagen Revista 2.0, N\u00ba 3, Sans Soleil Ediciones, Espa\u00f1a-Argentina, 2016, ISSN 2362-4981.<\/a><\/p>\n Gondra Aguirre, Ander; G. De \u00c1ngelis, Marina; L\u00f3pez de Munain, Gorka, \u201cJerusal\u00e9n en Buenos Aires todos los d\u00edas del a\u00f1o. Imagen, replica, devoci\u00f3n\u201d, e-imagen, Revista 2.0, Sans Soleil Ediciones, Espa\u00f1a-Argentina, ISSN 2362-4981<\/a><\/p>\n G. De Angelis, Marina. \u201cDe lo visible a lo invisible: Las im\u00e1genes y las emociones en la Edad Media\u201d, e-imagen Revista 2.0, Sans Soleil Ediciones, Espa\u00f1a-Argentina, ISSN 2362-4981<\/a><\/p>\n\n
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Publications<\/h1>\n<\/blockquote>\n