{"id":8432,"date":"2024-12-20T20:28:09","date_gmt":"2024-12-20T20:28:09","guid":{"rendered":"https:\/\/www.antropologiavisual.com.ar\/?page_id=8432"},"modified":"2024-12-20T20:36:22","modified_gmt":"2024-12-20T20:36:22","slug":"cultura-visual-prehistorica","status":"publish","type":"page","link":"https:\/\/www.antropologiavisual.com.ar\/en\/cultura-visual-prehistorica\/","title":{"rendered":"Prehistoric Visual Culture"},"content":{"rendered":"

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Prehistoric Visual Culture
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This line of research studies the perceptual and cognitive mechanisms involved in the creation and perception of images in prehistoric visual culture, from an interdisciplinary perspective that articulates the contributions of cognitive neuroscience, the anthropology of the image and digital technologies. This interdisciplinary approach combines digital tools such as photogrammetry, 3D modelling, artificial intelligence and virtual reality to recreate archaeological environments in conditions similar to the original ones, integrating factors such as lighting, geomorphology and texture of rock surfaces\n\nTranslated with DeepL.com (free version)<\/p>\n

The review of rock art studies, together with the incorporation of digital tools and interdisciplinary approaches, has allowed for a theoretical renewal that has shifted the focus from the isolated interpretation of figures to the sensory experience and the environment in which these images were produced and perceived (Renfrew, 2008; Conkey, 2007; Davis, 1986; White, 1992; Moro Abadia and Gonz\u00e1lez, 2006; Lewis-Williams, 2002; Alpert, 2009; Cook, 2013; Davis, 2011; Onians, 2024; Garate, 2007; Forte, 2023; Cometa, 2024). These studies propose to examine the complex relationship between groups, spaces and the environment, considering both the ecology and epistemology of prehistoric visual manifestations (Fowles and Alberti, 2018), and the re-evaluation of the relationships between people, bodies and materials (Ingold, 2013; Jones and Cochrane, 2018). The convergence between virtual reality and neuroscience opens up new perspectives for a deeper understanding of how materiality and space played key roles in shaping the visual practices of early human communities\n\nTranslated with DeepL.com (free version)<\/p>\n

Studies from the field of cognitive neuroscience in archaeology offer a new perspective for understanding prehistoric visual manifestations (Renfrew, 2008; Lewis-Williams, 2002; Alpert, 2009; Cook, 2013; Davis, 2011; Onians, 2024; Forte, 2023). Neuroscience can play a key role, offering a biological understanding of human mental activity and image-making from a relational perspective. Recent advances in the knowledge of how the brain is affected by the environment to which it is exposed allow us to investigate how the environment and its resources may influence the fabrication of these images, based on motor inclinations and visual preferences, based on neural plasticity and mirror neurons (Onians, 2024). This approach allows new questions and hypotheses to be formulated about the mental activities behind the similarities and differences in the marks left by different groups at different historical times on rock surfaces.\nTranslated with DeepL.com (free version)<\/p>\n

This new interdisciplinary perspective allows the phenomenon of prehistoric visuality to become more complex, assuming that the experience is a multisensory event (Garate, 2007) that goes beyond the figures represented on the rock walls or objects and is related to the cognitive aspects, the space, the type and surface of the rocks, the lighting and the difficulties of the geomorphology of the cave. An interdisciplinary approach to prehistoric visual manifestations in articulation with the contributions of new digital technologies makes it possible to reconstruct the original environments by offering immersive and interactive experiences for their study. As Torres et al (2024) point out, this type of recreation makes it possible to examine Palaeolithic representations in conditions very similar to the original ones, including spatial and lighting aspects and the original state of the graphics (Hoffmeister, 2017; Wisher & Needham, 2023; Gutierrez De Angelis and L\u00f3pez de Munain, 2021)<\/p>\n

By analysing the incisions and paintings, as well as the surfaces where they were made, we can explore how their shapes, sizes and textures may have suggested different modes of use, such as cutting, carving or painting. In particular, the study of rock art in karst caves opens up new avenues of research. The unique spatiality, acoustic and lighting conditions of these natural environments may have profoundly influenced the creation and perception of visual manifestations. The use of advanced technologies such as photogrammetry, laser scanning and Virtual Reality (VR), makes it possible to simulate these environments with remarkable accuracy, allowing researchers to experiment and analyse how prehistoric artists may have interacted with the spatial dynamics of the caves. These technologies also make it possible to investigate the sensory experience associated with these works, revealing how environmental factors such as darkness, echo or natural light sources may have influenced the perception of the images.<\/p>\n

Furthermore, by studying the layout of ancient settlements, digital reconstructions allow us to examine how the organisation of structures and natural resources may have influenced the daily activities and social interactions of the people who lived there. The neurocognitive approach extends this understanding, offering a more complete picture of how ancient humans interacted with their material environment, adapting to their physical needs and abilities. This contributes significantly to our interpretation of the visual culture of prehistoric societies, providing clues as to how environmental and neurological factors shaped both the creation and reception of their artistic expressions. The integration of new technologies and neuroscience in the study of these ancient sites opens the door to a deeper understanding of how materiality and space played key roles in shaping the visual practices of early human communities.<\/p>\n

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Projects<\/span><\/p>\n<\/blockquote>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_filterable_portfolio fullwidth=\u00bboff\u00bb include_categories=\u00bb105″ _builder_version=\u00bb4.27.4″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ title_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb title_text_shadow_vertical_length_tablet=\u00bb0px\u00bb title_text_shadow_blur_strength_tablet=\u00bb1px\u00bb filter_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb filter_text_shadow_vertical_length_tablet=\u00bb0px\u00bb filter_text_shadow_blur_strength_tablet=\u00bb1px\u00bb caption_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb caption_text_shadow_vertical_length_tablet=\u00bb0px\u00bb caption_text_shadow_blur_strength_tablet=\u00bb1px\u00bb pagination_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb pagination_text_shadow_vertical_length_tablet=\u00bb0px\u00bb pagination_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb box_shadow_horizontal_image_tablet=\u00bb0px\u00bb box_shadow_vertical_image_tablet=\u00bb0px\u00bb box_shadow_blur_image_tablet=\u00bb40px\u00bb box_shadow_spread_image_tablet=\u00bb0px\u00bb text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_shadow_blur_strength_tablet=\u00bb1px\u00bb global_colors_info=\u00bb{}\u00bb]
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\n

Publications<\/p>\n<\/blockquote>\n

Marina Gutierrez De Angelis. \u201cArqueolog\u00eda, Neurociencia Cognitiva y VR: Nuevos aportes metodol\u00f3gicos para pensar la Cultura Visual prehist\u00f3rica\u201d, image[n] Journal, N\u00ba 11, AAV-Ondare Irekia<\/a><\/p>\n

Marina Guti\u00e9rrez De Angelis, Greta Winckler et al., \u201dRethinking Paleolithic Visual Culture\u201d, View. Theories and Practices of Visual Culture<\/i> 25 (2019)<\/a><\/p>\n

G. De Angelis, Marina. \u201cIm\u00e1genes t\u00e9cnicas y arqueolog\u00eda: El problema del arte rupestre y la visualizaci\u00f3n de la prehistoria\u201d, e-imagen Revista 2.0, N\u00ba 7, Sans Soleil Ediciones, Espa\u00f1a-Argentina, 2020<\/a><\/p>\n

G. De Angelis, Marina. \u201cCartograf\u00edas perdidas. El Atlas de Felipe IV y las estrategias visuales del poder colonial (s.XVII).<\/span><\/span>\u201d, e-imagen Revista 2.0, N\u00ba 7, Sans Soleil Ediciones, Espa\u00f1a-Argentina, 2020<\/a><\/p>\n

Bruno, Paula. \u201cGenealog\u00edas de los dispositivos inmersivos: los panoramas de rotonda decimon\u00f3nicos.<\/span><\/span>\u201d, e-imagen Revista 2.0, N\u00ba 7, Sans Soleil Ediciones, Espa\u00f1a-Argentina, 2020<\/a><\/p>\n

G. De Angelis, Marina. \u201cEl rostro como dispositivo. De la antropometr\u00eda a la imagen biom\u00e9trica\u201d, e-imagen Revista 2.0, N\u00ba 4, Sans Soleil Ediciones, Espa\u00f1a-Argentina, 2017<\/a><\/p>\n

G. De Angelis, Marina. \u201cEl clon o el moderno Prometeo: Imagen y reencarnaci\u00f3n biocibern\u00e9tica en las series de ciencia ficci\u00f3n contempor\u00e1neas.<\/span><\/span>\u201d, e-imagen Revista 2.0, N\u00ba 7, Sans Soleil Ediciones, Espa\u00f1a-Argentina, 2020<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":"

  Cultura Visual Prehist\u00f3rica Esta l\u00ednea de investigaci\u00f3n estudia los mecanismos perceptivos y cognitivos involucrados en la creaci\u00f3n y percepci\u00f3n de im\u00e1genes en la cultura visual prehist\u00f3rica, desde una perspectiva interdisciplinaria que articula los aportes de la neurociencia cognitiva, la antropolog\u00eda de la imagen y las tecnolog\u00edas digitales. Este enfoque interdisciplinario combina herramientas digitales como la fotogrametr\u00eda, modelado 3D, inteligencia artificial y realidad virtual para el recrear entornos arqueol\u00f3gicos en condiciones similares a las originales, integrando factores como iluminaci\u00f3n, geomorfolog\u00eda y textura de las superficies rocosas. La revisi\u00f3n de los estudios sobre el arte rupestre, junto con la incorporaci\u00f3n de herramientas digitales y enfoques interdisciplinarios, ha permitido una renovaci\u00f3n te\u00f3rica que ha desplazado el foco de atenci\u00f3n desde la interpretaci\u00f3n aislada de figuras hacia la experiencia sensorial y el entorno en el que estas im\u00e1genes fueron producidas y percibidas (Renfrew, 2008; Conkey, 2007; Davis, 1986; White, 1992; Moro Abadia y Gonz\u00e1lez, 2006; Lewis-Williams, 2002; Alpert, 2009; Cook, 2013; Davis, 2011; Onians, 2024; Garate, 2007; Forte, 2023; Cometa, 2024). Estos estudios proponen no perder de vista la compleja relaci\u00f3n entre los grupos, los espacios y el entorno, considerando tanto la ecolog\u00eda y epistemolog\u00eda de las manifestaciones visuales prehist\u00f3ricas (Fowles y Alberti, […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-8432","page","type-page","status-publish","hentry"],"yoast_head":"\nCultura Visual Prehist\u00f3rica - \u00c1rea de Antropolog\u00eda Visual<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antropologiavisual.com.ar\/en\/cultura-visual-prehistorica\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cultura Visual Prehist\u00f3rica\" \/>\n<meta property=\"og:description\" content=\"  Cultura Visual Prehist\u00f3rica Esta l\u00ednea de investigaci\u00f3n estudia los mecanismos perceptivos y cognitivos involucrados en la creaci\u00f3n y percepci\u00f3n de im\u00e1genes en la cultura visual prehist\u00f3rica, desde una perspectiva interdisciplinaria que articula los aportes de la neurociencia cognitiva, la antropolog\u00eda de la imagen y las tecnolog\u00edas digitales. 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