{"id":8774,"date":"2025-04-22T14:56:28","date_gmt":"2025-04-22T14:56:28","guid":{"rendered":"https:\/\/www.antropologiavisual.com.ar\/?page_id=8774"},"modified":"2025-05-29T21:55:36","modified_gmt":"2025-05-29T21:55:36","slug":"vii-jornadas-participantes","status":"publish","type":"page","link":"https:\/\/www.antropologiavisual.com.ar\/en\/vii-jornadas-participantes\/","title":{"rendered":"VII Jornadas participantes"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbHeader\u00bb _builder_version=\u00bb4.20.0&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbgcid-67960745-cc0c-4d73-b86b-ef2d6023be78&#8243; custom_padding=\u00bb14px||0px|||\u00bb collapsed=\u00bbon\u00bb global_colors_info=\u00bb{%22gcid-67960745-cc0c-4d73-b86b-ef2d6023be78%22:%91%22background_color%22%93}\u00bb][et_pb_row column_structure=\u00bb3_4,1_4&#8243; _builder_version=\u00bb4.20.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb max_width=\u00bbnone\u00bb custom_margin=\u00bb67px|auto||auto||\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_4&#8243; _builder_version=\u00bb4.20.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bb2055fe31-6942-4738-8143-82c2f0bc151e\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb169px\u00bb text_line_height=\u00bb1em\u00bb custom_margin=\u00bb||7px|||\u00bb text_font_size_tablet=\u00bb200px\u00bb text_font_size_phone=\u00bb43px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Participants<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.20.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bb4827deed-2a92-4d97-a22f-f01067ae6873&#8243; header_font=\u00bb||||||||\u00bb header_4_font=\u00bbArial||||||||\u00bb header_4_font_size=\u00bb22px\u00bb header_4_line_height=\u00bb1.4em\u00bb text_orientation=\u00bbright\u00bb custom_margin=\u00bb39px||10px||false|false\u00bb header_4_font_size_tablet=\u00bb16px\u00bb header_4_font_size_phone=\u00bb14px\u00bb header_4_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb custom_margin__hover_enabled=\u00bboff|hover\u00bb custom_margin__hover=\u00bb|10px|||false|false\u00bb custom_padding__hover_enabled=\u00bbon|hover\u00bb custom_padding__hover=\u00bb|10px|||false|false\u00bb border_width_right__hover_enabled=\u00bbon|hover\u00bb border_width_right__hover=\u00bb16px\u00bb]<\/p>\n<h4><strong><a href=\"https:\/\/www.antropologiavisual.com.ar\/en\/project\/vii-seminar-anthropology-and-image\/\"><span style=\"color: #000000;\">Home<\/span><\/a><\/strong><\/h4>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bb4827deed-2a92-4d97-a22f-f01067ae6873&#8243; header_font=\u00bb||||||||\u00bb header_4_font=\u00bbArial||||||||\u00bb header_4_font_size=\u00bb22px\u00bb header_4_line_height=\u00bb1.4em\u00bb text_orientation=\u00bbright\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_4_font_size_tablet=\u00bb16px\u00bb header_4_font_size_phone=\u00bb14px\u00bb header_4_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb custom_margin__hover_enabled=\u00bboff|hover\u00bb custom_margin__hover=\u00bb|10px|||false|false\u00bb custom_padding__hover_enabled=\u00bbon|hover\u00bb custom_padding__hover=\u00bb|10px|||false|false\u00bb border_width_right__hover_enabled=\u00bbon|hover\u00bb border_width_right__hover=\u00bb16px\u00bb]<\/p>\n<h4><strong><a href=\"https:\/\/www.antropologiavisual.com.ar\/en\/vii-seminar-anthropology-image\/\"><span style=\"color: #000000;\">About<\/span><\/a><\/strong><\/h4>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bb4827deed-2a92-4d97-a22f-f01067ae6873&#8243; header_font=\u00bb||||||||\u00bb header_4_font=\u00bbArial||||||||\u00bb header_4_font_size=\u00bb22px\u00bb header_4_line_height=\u00bb1.4em\u00bb text_orientation=\u00bbright\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_4_font_size_tablet=\u00bb16px\u00bb header_4_font_size_phone=\u00bb14px\u00bb header_4_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb custom_margin__hover_enabled=\u00bboff|hover\u00bb custom_margin__hover=\u00bb|10px|||false|false\u00bb custom_padding__hover_enabled=\u00bbon|hover\u00bb custom_padding__hover=\u00bb|10px|||false|false\u00bb border_width_right__hover_enabled=\u00bbon|hover\u00bb border_width_right__hover=\u00bb16px\u00bb]<\/p>\n<h4><strong><a href=\"https:\/\/www.antropologiavisual.com.ar\/en\/vii-jornadas-programa\/\"><span style=\"color: #000000;\">Programme<\/span><\/a><\/strong><\/h4>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bb4827deed-2a92-4d97-a22f-f01067ae6873&#8243; header_font=\u00bb||||||||\u00bb header_4_font=\u00bbArial||||||||\u00bb header_4_font_size=\u00bb22px\u00bb header_4_line_height=\u00bb1.4em\u00bb text_orientation=\u00bbright\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_4_font_size_tablet=\u00bb16px\u00bb header_4_font_size_phone=\u00bb14px\u00bb header_4_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb custom_margin__hover_enabled=\u00bboff|hover\u00bb custom_margin__hover=\u00bb|10px|||false|false\u00bb custom_padding__hover_enabled=\u00bbon|hover\u00bb custom_padding__hover=\u00bb|10px|||false|false\u00bb border_width_right__hover_enabled=\u00bbon|hover\u00bb border_width_right__hover=\u00bb16px\u00bb]<\/p>\n<h4><strong><a href=\"https:\/\/www.antropologiavisual.com.ar\/en\/vii-jornadas-participantes\/\"><span style=\"color: #000000;\">Participants<\/span><\/a><\/strong><\/h4>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bb4827deed-2a92-4d97-a22f-f01067ae6873&#8243; header_font=\u00bb||||||||\u00bb header_4_font=\u00bbArial||||||||\u00bb header_4_font_size=\u00bb22px\u00bb header_4_line_height=\u00bb1.4em\u00bb text_orientation=\u00bbright\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_4_font_size_tablet=\u00bb16px\u00bb header_4_font_size_phone=\u00bb14px\u00bb header_4_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb custom_margin__hover_enabled=\u00bboff|hover\u00bb custom_margin__hover=\u00bb|10px|||false|false\u00bb custom_padding__hover_enabled=\u00bbon|hover\u00bb custom_padding__hover=\u00bb|10px|||false|false\u00bb border_width_right__hover_enabled=\u00bbon|hover\u00bb border_width_right__hover=\u00bb16px\u00bb]<\/p>\n<h4><strong><a href=\"https:\/\/www.antropologiavisual.com.ar\/en\/vii-jornadas-inscripciones\/\"><span style=\"color: #000000;\">Registration<\/span><\/a><\/strong><\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.20.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb max_width=\u00bbnone\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.20.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_video_mp4=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/portada-code.mp4&#8243; global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbHeader\u00bb _builder_version=\u00bb4.20.0&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbgcid-67960745-cc0c-4d73-b86b-ef2d6023be78&#8243; custom_padding=\u00bb14px||0px|||\u00bb global_module=\u00bb9215&#8243; collapsed=\u00bbon\u00bb global_colors_info=\u00bb{%22gcid-67960745-cc0c-4d73-b86b-ef2d6023be78%22:%91%22background_color%22%93}\u00bb][et_pb_row column_structure=\u00bb3_4,1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb37px|auto||auto||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb60px\u00bb text_line_height=\u00bb0.9em\u00bb custom_margin=\u00bb||-39px|||\u00bb custom_padding=\u00bb||0px|||\u00bb text_font_size_tablet=\u00bb60px\u00bb text_font_size_phone=\u00bb28px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>VII Seminar Anthropology and Image<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb36px\u00bb text_line_height=\u00bb1em\u00bb custom_margin=\u00bb-35px|||||\u00bb text_font_size_tablet=\u00bb\u00bb text_font_size_phone=\u00bb23px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Image and Knowledge: The Humanities in the Contemporary Digital Scene<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb15px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vii-jornadas-scaled.png\u00bb title_text=\u00bbvii jornadas\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb scroll_rotating=\u00bb0|50|50|100|0\u00b0|0|180\u00b0\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_button button_url=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/VII-Jornadas-Antropologia-e-Imagen-2025-Final.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbDescargar programa\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb19px\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#000000&#8243; button_border_radius=\u00bb100px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb90px||124px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb70px\u00bb text_orientation=\u00bbright\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb70px\u00bb text_font_size_phone=\u00bb39px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">\n<p style=\"text-align: center;\">\n<p style=\"text-align: center;\">Participants<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vr3-1.png\u00bb title_text=\u00bbvr3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb animation_style=\u00bbslide\u00bb animation_direction=\u00bbright\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; custom_margin=\u00bb-176px|||||\u00bb custom_padding=\u00bb88px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb96px\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb39px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>EduVRGameLab<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb1528px\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/eglab.png\u00bb title_text=\u00bbeglab\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb15px\u00bb custom_margin=\u00bb-9px|||||\u00bb custom_margin_tablet=\u00bb-9px|||||\u00bb custom_margin_phone=\u00bb-9px|14px||14px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Is an inter-departmental research unit at the Faculty of Humanities at AGH University of Krakow. We study and utilize the socio-cultural, educational, and communicative potential of immersive technologies (VR, AR, MR) and digital games. Our activities include conducting interdisciplinary research projects \u2014 for example, investigating the use of VR to cultivate prosocial and pro-environmental attitudes, applying VR in philosophical education, and studying the anthropology of VR \u2014 as well as offering academic courses for students and designing original immersive applications. <strong>Facultad de Humanidades<\/strong> de la <strong>Universidad AGH<\/strong> de Cracovia. Estudia y utiliza el potencial sociocultural, educativo y comunicativo de las tecnolog\u00edas inmersivas (RV, RA, RM) y los juegos digitales.<\/p>\n<p style=\"text-align: justify;\">Sus actividades incluyen la realizaci\u00f3n de proyectos de investigaci\u00f3n interdisciplinarios -por ejemplo, investigar el uso de la RV para cultivar actitudes prosociales y proambientales, aplicar la RV en la educaci\u00f3n filos\u00f3fica y estudiar la antropolog\u00eda de la RV-, as\u00ed como ofrecer cursos acad\u00e9micos para estudiantes y dise\u00f1ar aplicaciones inmersivas originales.<\/p>\n<p style=\"text-align: justify;\">[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.eduvrlab.agh.edu.pl\/index-en.html\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbEduVRGameLab\u00bb button_alignment=\u00bbright\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#000000&#8243; button_border_radius=\u00bb100px\u00bb button_font=\u00bbInter|700|||||||\u00bb custom_margin=\u00bb19px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_button][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb15px\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/New_room3.jpg\u00bb title_text=\u00bbNew_room3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb27px||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Guja_J.png\u00bb title_text=\u00bbGuja_J\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb custom_margin=\u00bb12px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb42px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\"><span lang=\"en-US\"><b>Jowita Guja<\/b><\/span><span lang=\"en-US\"> <\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb50px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Philosopher and cultural studies scholar, Professor at the Faculty of Humanities at AGH University of Krakow. She is the head of the Research Laboratory EduVRGameLab at AGH University. Her research interests include virtual reality, philosophical anthropology, and the analysis of popular culture. She is the co-author of the experimental VR application The Cave, presented at events such as the Art*VR Festival of Virtual Reality and Immersive Art in Prague, the Ground Control exhibition during the Venice International Film Festival, and the Patchlab Festival in Krak\u00f3w.<\/p>\n<p style=\"text-align: justify;\">Es coautora de la aplicaci\u00f3n experimental de RV The Cave, presentada en eventos como el Festival Art*VR de Realidad Virtual y Arte Inmersivo de Praga, la exposici\u00f3n Ground Control durante el Festival Internacional de Cine de Venecia y el Festival Patchlab de Cracovia<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Waligorski_foto.png\u00bb title_text=\u00bbWaligorski_foto\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb custom_margin=\u00bb12px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb42px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\"><span lang=\"en-US\"><b>Jan Walig\u00f3rski<\/b><\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb50px||-3px|||\u00bb custom_padding=\u00bb||0px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Techno-anthropologist and cognitive scientist, PhD student at the Faculty of Humanities at AGH University of Krakow. He conducts posthumanist anthropological research on cyborgs and embodiment in VR and carries out digital ethnography among virtual cultures on social VR platforms. He is a member of the EduVRGameLab Research Laboratory and the founder of the academic project Wirtualium \u2013 one of the first academic conferences in VR worldwide.<\/p>\n<p style=\"text-align: justify;\">Es miembro del laboratorio de investigaci\u00f3n EduVRGameLab y fundador del proyecto acad\u00e9mico Wirtualium, una de las primeras conferencias acad\u00e9micas sobre RV del mundo.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb3_4,1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb74%\u00bb max_width=\u00bb1713px\u00bb custom_margin=\u00bb-133px|auto||auto||\u00bb custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_code _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb4px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/puczPI_hq6k?si=fziFT_DtSHIArzMt\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>[\/et_pb_code][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb33px\u00bb custom_margin=\u00bb-23px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_text_color_tablet=\u00bb#000000&#8243; text_text_color_phone=\u00bb#000000&#8243; text_text_color_last_edited=\u00bbon|phone\u00bb text_font_size_tablet=\u00bb33px\u00bb text_font_size_phone=\u00bb29px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\"><span lang=\"en-US\"><b>VRsophy: the Cave<\/b><\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb15px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p class=\"western\" style=\"line-height: 150%; margin-bottom: 0.28cm; text-align: center;\">Jowita Guja, Adam \u017b\u0105d\u0142o<\/p>\n<p style=\"text-align: justify;\">\"VRsophy: the Cave\" is an interactive adaptation of the classic Plato's metaphor. The experience requires not only mental but also physical effort: this underlines the experiential dimension of philosophy. The core of the metaphor is a glitch in the Matrix, a discovery of a new reality; what is known and generally acknowledge turns out false again and again. We give the philosophical conception a new life through the sensual process of exploration that engage body in such interactions as swimming, going through spacious mazes, snatching, bending down, and listening.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.cavevr.agh.edu.pl\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbWeb del proyecto\u00bb button_alignment=\u00bbright\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#000000&#8243; button_border_radius=\u00bb100px\u00bb button_font=\u00bbInter|700|||||||\u00bb custom_margin=\u00bb19px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#FFFFFF\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row use_custom_gutter=\u00bbon\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb1465px\u00bb module_alignment=\u00bbcenter\u00bb custom_padding=\u00bb36px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb text_orientation_tablet=\u00bbright\u00bb text_orientation_phone=\u00bbcenter\u00bb text_orientation_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Centros Clandestinos<br \/>Huella Digital<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; use_custom_gutter=\u00bbon\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb max_width=\u00bb1551px\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logo-huella-1.png\u00bb title_text=\u00bblogo-huella-1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#515151&#8243; global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_button button_url=\u00bbhttps:\/\/huelladigital.com.ar\/V6\/index.html#slider1-o\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbExplora el proyecto Centros Clandestinos\u00bb button_alignment=\u00bbright\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#000000&#8243; button_border_radius=\u00bb100px\u00bb button_font=\u00bbInter|700|||||||\u00bb custom_margin=\u00bb19px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/esma-2.jpg\u00bb title_text=\u00bbesma-2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/diego_cagide_.jpg\u00bb title_text=\u00bbdiego_cagide_\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb custom_margin=\u00bb30px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Diego Cagide<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He is an Image and Sound designer, animation director and producer, graduated from the Faculty of Architecture, Design and Urbanism (FADU). He works as a director and producer in film, television and advertising projects in Argentina and abroad. He is co-director of Huella Digital, a multidisciplinary team dedicated to the production of interactive documentaries.<\/p>\n<p style=\"text-align: justify;\">He made virtual reconstructions of some of the Clandestine Detention Centres that operated during the last civil-military dictatorship in Argentina. As a filmmaker, he directed Robotia, the film (2024) and the series Los Motorj\u00f3n (2022), La Cocina de Tom\u00e1s (2020), Monstruos de la Guarda (2018), Robotia (2017) and Minimalitos (2011-2018). He also worked as a scriptwriter, content writer, animator, post-producer and editor on numerous audiovisual projects. In addition, he directed several animated short films selected in national and international festivals. He is an assistant professor of 3D Animation at the University of Buenos Aires and teaches Synthetic Image Techniques at the National University of Quilmes. At the University of Palermo, in addition to teaching Digital Production III, he gives training courses for teachers on generative artificial intelligence.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/malamud.jpg\u00bb title_text=\u00bbmalamud\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb63px\u00bb custom_margin=\u00bb30px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Martin Malamud<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He studied Computer Science and Fine Arts. In 1991, he obtained a research scholarship in Computer Graphics in Lausanne, Switzerland.\u00a0<\/p>\n<p style=\"text-align: justify;\">He created and directed several animation and special effects studios: Im\u00e1gica in 1992, Kaos in 1997 and Malabar in 2001 (www.malabar.tv). He has participated as a teacher or speaker in various congresses and meetings in the field of animation and computer graphics.<\/p>\n<p style=\"text-align: justify;\">He is also active in the visual arts as illustrator. From 1993 to 2022, he was a professor of computer animation at the University of Buenos Aires.\u00a0<\/p>\n<p style=\"text-align: justify;\">In 2008 he created the group Huella Digital, which he co-directed with Diego Cagide. His most important project is the interactive documentary that reconstructs some of the main clandestine centres that operated in Argentina during the last military dictatorship.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.martinmalamud.com.ar\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbWebsite\u00bb button_alignment=\u00bbright\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#000000&#8243; button_border_radius=\u00bb100px\u00bb button_font=\u00bbInter|700|||||||\u00bb custom_margin=\u00bb19px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1&#8243; make_equal=\u00bbon\u00bb disabled_on=\u00bbon|on|off\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb2347px\u00bb custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/esma-2-1.jpg\u00bb title_text=\u00bbesma-2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/esma-4.jpg\u00bb title_text=\u00bbesma-4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/cacha-01v2.jpg\u00bb title_text=\u00bbcacha-01v2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3&#8243; disabled_on=\u00bboff|off|on\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/esma-2-1.jpg\u00bb title_text=\u00bbesma-2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/esma-4.jpg\u00bb title_text=\u00bbesma-4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/cacha-01v2.jpg\u00bb title_text=\u00bbcacha-01v2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p><strong>BA-LOGIC | BA-AI Lab <\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#000000&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/cropped-2_Logo2FullBALogic_color-e1608590940416-2.png\u00bb title_text=\u00bbcropped-2_Logo2FullBALogic_color-e1608590940416-2&#8243; align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_text_color=\u00bb#FFFFFF\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px|28px|-3px||false|false\u00bb custom_margin_tablet=\u00bb26px|28px|-3px||false|false\u00bb custom_margin_phone=\u00bb26px|28px|-3px|19px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">We are a group of philosophers, mathematicians, and computer scientists from the University of Buenos Aires and CONICET, specialized in Philosophical and Mathematical Logic. Our workplace is the Institute for Research in Philosophy of the Argentinean Society of Philosophical Analysis (IIF-SADAF) and the Faculty of Philosophy and Letters of the UBA. Our main interests include paradoxes, non-classical logics, substructural logics, model theory, proof theory, and theories of truth. In addition to our foundational research, we are deeply engaged with artificial intelligence, technological innovation, and the application of advanced logical methods to real-world problems.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/ba-logic.com\/\u00bb button_text=\u00bbBA LOGIC WEBSITE\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#000000&#8243; button_bg_color=\u00bb#FFFFFF\u00bb button_border_color=\u00bb#000000&#8243; button_border_radius=\u00bb100px\u00bb button_font=\u00bbInter|700|||||||\u00bb custom_margin=\u00bb19px|||||\u00bb custom_padding=\u00bb14px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Eduaro-Barrio-foto-scaled.jpg\u00bb title_text=\u00bbEduaro Barrio foto\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb min_height=\u00bb13.8px\u00bb custom_margin=\u00bb-30px||40px|||\u00bb custom_padding=\u00bb34px|||||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Eduardo Barrio<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Eduardo Alejandro Barrio is Senior Researcher at the IIF-SADAF-CONICET and Regular Professor in the area of Logic at the Faculty of Philosophy and Letters of the University of Buenos Aires. He is Vice-Director of IIF-SADAF-CONICET, Director of BA-LOGIC and of the BA-AI Lab (a centre devoted to the analysis of Language Models and AI). He has participated in numerous international cooperation projects (British Academy, DAAD, DFG, ECOS-Sud, NEH-USA, HORIZON-MSCA-2021-Staff Exchanges). He has been visiting professor at MIT and CUNY (USA), CNRS - ECOLE NORMALE SUPERIEURE (France), MCMP (Germany), University of Oxford (UK), University of Cagliary (Italy). He is associate editor of Analysis (Oxford UP). He coordinates the STAN: \u2018Advice on the evaluation of Large Language Models\u2019 CONICET and is the director of the PIDAE: \u2018Development of Adversarial Benchmarks for reasoning in Spanish variants\u2019.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/joaquintoranzo.jpg\u00bb title_text=\u00bbjoaquintoranzo\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb62px\u00bb text_line_height=\u00bb0.8em\u00bb min_height=\u00bb13.8px\u00bb custom_margin=\u00bb-30px||40px|||\u00bb custom_padding=\u00bb34px|||||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Joaquin Toranzo Calder\u00f3n<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He is a doctoral fellow at the IIF-SADAF-CONICET and teaches Logic at the Faculty of Philosophy and Letters of the UBA, as well as lecturing at UTN and ITBA. He participates in the BA-AI Lab centre on language model evaluation and in the GIAR (AI and Robotics Research Group, UTN). He currently coordinates together with Ramiro Caso and Mauro Santelli the Language Model Evaluation Group with weekly meetings since 2024 at SADAF, participates in the UBA-PIDAE \u2018Development of Adversarial Benchmarks for reasoning in Spanish variants\u2019 contributing with his experience and training in Philosophy and Engineering, and will soon start leading the UTN-PID project \u2018Development of adversarial reasoning evaluations for language models\u2019.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb custom_padding=\u00bb75px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb27px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/turturo.jpg\u00bb title_text=\u00bbturturo\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb custom_margin=\u00bb12px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb42px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Lucas Turturro<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb50px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\" class=\"gmail-\" style=\"text-align: justify;\"><strong>Lucas Turturro<\/strong> is a film director and visual artist, a graduate of the Universidad del Cine. His work explores the boundaries between fiction, reality and experimentation, addressing themes such as the collective unconscious and the world of artists. He directed <em>C\u00f3mo mueren las reinas<\/em> (2021), selected for the Malaga, BAFICI and Tallinn festivals. His documentary <em>Un rey para la Patagonia<\/em> (2011) received awards in Mar del Plata and Malaga, and was screened internationally.<\/p>\n<p xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\" class=\"gmail-\" style=\"text-align: justify;\">In the sphere of video art, he presented <em>La Sombra Invertida<\/em> at the MACBA <em>El peso de una piedra<\/em> at the Biennial South, while his work <em>Inconsciente<\/em> has participated in festivals in America and Europe. He was director of the TEC channel, the first Argentinean channel dedicated to science and technology, and responsible for the artistic area of Canal Encuentro. He is currently exploring the crossover between digital art, AI and new forms of audiovisual representation.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.lucasturturro.com.ar\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbWeb\u00bb button_alignment=\u00bbright\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#000000&#8243; button_border_radius=\u00bb100px\u00bb button_font=\u00bbInter|700|||||||\u00bb custom_margin=\u00bb19px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb1446px\u00bb module_alignment=\u00bbcenter\u00bb custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_video src=\u00bbhttps:\/\/youtu.be\/rdszw7BzNV4?si=3ICmXw_X8DgLVkOu\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb84%\u00bb max_width=\u00bb1744px\u00bb module_alignment=\u00bbcenter\u00bb min_height_tablet=\u00bb\u00bb min_height_phone=\u00bb\u00bb min_height_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb-21px|auto||auto||\u00bb custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_video src=\u00bbhttps:\/\/youtu.be\/eOi7rD4TvA8?si=iDL1mAA7HyFHJ5Op\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_video src=\u00bbhttps:\/\/youtu.be\/1o-IesV28bw?si=G0Y96ImxgywIJKgJ\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/IMG-22s46.jpg\u00bb title_text=\u00bbIMG-22s46&#8243; align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb min_height=\u00bb6.8px\u00bb custom_margin=\u00bb-30px||40px|||\u00bb custom_margin_tablet=\u00bb-30px||40px|||\u00bb custom_margin_phone=\u00bb-17px||40px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb||13px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Stefano Storchi<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He graduated in Image and Sound Design from the Faculty of Design at the University of Buenos Aires and currently works there as a teacher and researcher. He is an audiovisual producer, editor, animator, and photographer. His works blend the intervention of image and sound. In 2020, he received support from the Cultural Patronage program for his book \"Argir\u00f3polis.\" In the 2021-2022 edition of the Biennial of Young Art, his medium-length film project \"Argir\u00f3polis\" was selected in the Audiovisual Experimentation call: film with archival material, and was later premiered at BAFICI in 2022. He participated in Talents Buenos Aires 2022. He is currently receiving a creation and training grant from the National Arts Fund and Mecenazgo Cultural for the development of his virtual reality experience \"Japeusa\" from the Mbya-Guran\u00ed perspective.<\/p>\n<p style=\"text-align: justify;\">En 2020, recibi\u00f3 apoyo del Mecenazgo Cultural para <em>Argir\u00f3polis<\/em>, un libro y mediometraje basado en los textos m\u00edticos del <em>Ayvu Rapyta<\/em> y archivos estatales. El proyecto fue seleccionado en la Bienal de Arte Joven 2021-2022 y estrenado en BAFICI 2022. Desde 2020 desarrolla <em>Japeusa<\/em>, experiencia de realidad virtual sobre el tiempo c\u00edclico y la desconexi\u00f3n cuerpo-entorno desde la cosmovisi\u00f3n mbya-guaran\u00ed. Actualmente recibe becas de creaci\u00f3n y formaci\u00f3n del Fondo Nacional de las Artes y Mecenazgo Cultural.\u00a0\u00a0<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/stefanostorchi.cargo.site\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbProyectos\u00bb button_alignment=\u00bbright\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#000000&#8243; button_border_radius=\u00bb100px\u00bb button_font=\u00bbInter|700|||||||\u00bb custom_margin=\u00bb19px|||||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1&#8243; make_equal=\u00bbon\u00bb disabled_on=\u00bbon|on|off\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/ScreenShot00000.png\u00bb width=\u00bb100%\u00bb max_width=\u00bbnone\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_enable_image=\u00bboff\u00bb background_video_mp4=\u00bbhttps:\/\/freight.cargo.site\/i\/D1728540030558799266241442393369\/Secuencia-01_9.mp4&#8243; custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/ignacio-llacay-minasdewanda-8.jpg\u00bb background_enable_video_mp4=\u00bboff\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_enable_image=\u00bboff\u00bb background_video_mp4=\u00bbhttps:\/\/freight.cargo.site\/i\/E1728543811495698334119689366809\/Secuencia-01_4.mp4&#8243; custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/ScreenShot00000.png\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=\u00bboff|off|on\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_code _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/983957345?badge=0&#038;autopause=0&#038;player_id=0&#038;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Japeusa\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb custom_padding=\u00bb75px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Programa de Arqueolog\u00eda Digital<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logosunc.png\u00bb title_text=\u00bblogosunc\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb30px|28px|||false|false\u00bb custom_padding=\u00bb|||0px||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb27px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/RCataneo.png\u00bb title_text=\u00bbRCataneo\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb58px\u00bb text_line_height=\u00bb0.9em\u00bb custom_margin=\u00bb12px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb42px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Roxana Catt\u00e1neo<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb50px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Archaeologist specialising in the study of hunter-gatherer societies in Argentina with an emphasis on the regions of Patagonia and the Central Sierras, particularly interested in aspects of the organisation of lithic technology. Interest focused on the problems of early settlement in South America. General interest in the management of archaeological heritage and museums using digital tools, as well as through GIS and land use planning. Application of archaeometric methodological developments in Argentina, especially related to functional and residue analysis of lithic tools. Digital archaeology, digital institutional repositories, open science. Experience in museums and heritage management.<\/p>\n<p>[\/et_pb_text][et_pb_social_media_follow _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_social_media_follow_network social_network=\u00bbinstagram\u00bb url=\u00bbhttps:\/\/www.instagram.com\/progarqdigital\/\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ea2c59&#8243; global_colors_info=\u00bb{}\u00bb follow_button=\u00bboff\u00bb url_new_window=\u00bbon\u00bb]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Andres-Izeta.jpg\u00bb title_text=\u00bbAndres-Izeta\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb56px\u00bb text_line_height=\u00bb0.9em\u00bb custom_margin=\u00bb12px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb42px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Andr\u00e9s Dar\u00edo Izeta<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb50px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">BA in Anthropology (UNLP 1998) and PhD in Natural Sciences (UNLP 2004). He is an Independent Researcher for CONICET and Professor in the Bachelor's Degree in Anthropology (FFyH, UNC). He is Director of the Journal of the Museum of Anthropology. He has been involved in research projects in Northwest Argentina (Santa Mar\u00eda and Caj\u00f3n, Catamarca) since 1998 and in the province of C\u00f3rdoba since 2010. He has worked with faunal assemblages from Patagonia, the Northwest and Central Sierras of Argentina, as well as from the Hell Gap Site (Wyoming, USA). In recent years he has conducted regional archaeology (C\u00f3rdoba) focusing on the study of hunter-gatherer societies of the northern Sierras Chicas, in particular their relationship with the environment over time. She has been working on urban archaeology in the city of C\u00f3rdoba since 2010. In recent years he has specialised in the development of Digital Archaeology. He has been and is the director and co-director of undergraduate and postgraduate scholarship holders and thesis students.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; custom_padding=\u00bb75px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Laboratory of Anthropology and Visual Archaeology<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#000000&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logo-laav-letras-blancas.png\u00bb title_text=\u00bblogo laav letras blancas\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb transform_scale_tablet=\u00bb\u00bb transform_scale_phone=\u00bb84%|84%\u00bb transform_scale_last_edited=\u00bbon|phone\u00bb transform_translate_tablet=\u00bb\u00bb transform_translate_phone=\u00bb\u00bb transform_translate_last_edited=\u00bbon|phone\u00bb transform_rotate_tablet=\u00bb\u00bb transform_rotate_phone=\u00bb\u00bb transform_rotate_last_edited=\u00bbon|phone\u00bb transform_skew_tablet=\u00bb\u00bb transform_skew_phone=\u00bb\u00bb transform_skew_last_edited=\u00bbon|phone\u00bb transform_origin_tablet=\u00bb\u00bb transform_origin_phone=\u00bb\u00bb transform_origin_last_edited=\u00bbon|phone\u00bb transform_styles_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb13px|||28px|false|false\u00bb transform_styles_tablet=\u00bb\u00bb transform_styles_phone=\u00bb\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/LOGO_EAA_BLANCO-scaled.png\u00bb title_text=\u00bbLOGO_EAA_BLANCO\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb transform_scale_tablet=\u00bb\u00bb transform_scale_phone=\u00bb68%|68%\u00bb transform_scale_last_edited=\u00bbon|phone\u00bb transform_translate_tablet=\u00bb\u00bb transform_translate_phone=\u00bb\u00bb transform_translate_last_edited=\u00bbon|phone\u00bb transform_rotate_tablet=\u00bb\u00bb transform_rotate_phone=\u00bb\u00bb transform_rotate_last_edited=\u00bbon|phone\u00bb transform_skew_tablet=\u00bb\u00bb transform_skew_phone=\u00bb\u00bb transform_skew_last_edited=\u00bbon|phone\u00bb transform_origin_tablet=\u00bb\u00bb transform_origin_phone=\u00bb\u00bb transform_origin_last_edited=\u00bbon|phone\u00bb transform_styles_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb58px||||false|false\u00bb transform_styles_tablet=\u00bb\u00bb transform_styles_phone=\u00bb\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/UC-I-Chile_3.png\u00bb title_text=\u00bbUC I Chile_3&#8243; align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb transform_scale_tablet=\u00bb\u00bb transform_scale_phone=\u00bb80%|80%\u00bb transform_scale_last_edited=\u00bbon|phone\u00bb transform_translate_tablet=\u00bb\u00bb transform_translate_phone=\u00bb\u00bb transform_translate_last_edited=\u00bbon|phone\u00bb transform_rotate_tablet=\u00bb\u00bb transform_rotate_phone=\u00bb\u00bb transform_rotate_last_edited=\u00bbon|phone\u00bb transform_skew_tablet=\u00bb\u00bb transform_skew_phone=\u00bb\u00bb transform_skew_last_edited=\u00bbon|phone\u00bb transform_origin_tablet=\u00bb\u00bb transform_origin_phone=\u00bb\u00bb transform_origin_last_edited=\u00bbon|phone\u00bb transform_styles_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb30px|28px|||false|false\u00bb transform_styles_tablet=\u00bb\u00bb transform_styles_phone=\u00bb\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb27px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Victor-Mendez.jpg\u00bb title_text=\u00bbVictor M\u00e9ndez\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_social_media_follow _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_social_media_follow_network social_network=\u00bbinstagram\u00bb url=\u00bbhttps:\/\/www.instagram.com\/laav_uc\/\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ea2c59&#8243; global_colors_info=\u00bb{}\u00bb follow_button=\u00bboff\u00bb url_new_window=\u00bbon\u00bb]instagram[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=\u00bbinstagram\u00bb url=\u00bbhttps:\/\/www.instagram.com\/estudiosaplicados_uc\/\u00bb icon_color=\u00bb#000000&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ea2c59&#8243; global_colors_info=\u00bb{}\u00bb follow_button=\u00bboff\u00bb url_new_window=\u00bbon\u00bb]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb text_line_height=\u00bb0.9em\u00bb custom_margin=\u00bb12px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb42px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">V\u00edctor M\u00e9ndez Mu\u00f1oz<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb50px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He is an Archaeologist (University of Chile) and Master in Virtual Heritage (University of Alicante). He is currently Associate Professor at the Pontificia Universidad Cat\u00f3lica de Chile, where he works as coordinator of the Digital Archaeology area of the Directorate of Applied Studies, member of the Laboratory of Anthropology and Visual Archaeology and also coordinator of the Management Plan of the Loa Scientific Station.<br \/>Su principal foco de investigaci\u00f3n se relaciona con las Arqueolog\u00edas Digitales\/Virtuales. Su inter\u00e9s es proporcionar medios para un aprendizaje profundo sobre las comunidades humanas del pasado, adem\u00e1s de proporcionar espacios para la transmisi\u00f3n abierta del conocimiento a la comunidad, tales como las exposiciones \u00abRenaico: Entre \u00e1rboles y viento)\u00bb (2022, \u00abPersonas de la Tierra. Figurillas desde la corporalidad diaguita\u00bb (2024), y \u00abPiedras marcadas y territorio. Arte rupestre en la regi\u00f3n de Coquimbo\u00bb (2025).<br \/>Tambi\u00e9n es co-investigador del Proyecto FONDECYT N\u00ba1240193 sobre el poblamiento inicial de la cordillera andina<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/IMG-20250509-WA0006.jpg\u00bb title_text=\u00bbIMG-20250509-WA0006&#8243; align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb64px\u00bb text_line_height=\u00bb0.8em\u00bb custom_margin=\u00bb-30px||6px|||\u00bb custom_padding=\u00bb58px||30px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Mar\u00eda Gabriela Mayoni<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">She holds a PhD in Anthropology from the University of Buenos Aires and a degree in Conservation and Restoration of Cultural Heritage from the National University of the Arts. She has been a postdoctoral researcher CONICET, Argentina and her academic and professional career is closely linked to research, management and conservation of cultural heritage and scientific heritage. She is dedicated to the study of collections, museums and the teaching of natural sciences in Argentina between the end of the 19th century and the first half of the 20th century. Internationally, she collaborates with research groups in Chile, Brazil, Uruguay, Italy, Portugal and especially in Spain (Madrid, Barcelona and Valencia). She is a founding member and co-coordinator of the Ibero-American Network for the History of Science Education (REDiHEC). She presents her work at conferences and seminars in Europe and America and publishes in scientific journals of international impact in the areas of history of science, museums and cultural heritage. She is currently researcher and curator of the Museum of Pharmacobotany \u2018Juan A. Dom\u00ednguez\u2019 of the Faculty of Pharmacy and Biochemistry of the University of Buenos Aires.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: left;\">CeDinCi-UNSAM<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/SIK_M_Eugenia_retrato_2-scaled.jpg\u00bb title_text=\u00bbSIK_M_Eugenia_retrato_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb custom_margin=\u00bb-4px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Eugenia Sik<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">She coordinates the area of Archives and Private Collections at the Centre for Documentation and Research on Left-wing Culture (CeDInCI-UNSAM). She holds a Diploma in Library and Information Science from the University of Buenos Aires (UBA). She studied archival studies and history at the same university. She studied a Diploma in Digital Humanities (UCES) and is currently studying for a Master's degree in the same field at the Universidad Nacional de Tres de Febrero (UNTREF). She teaches Introduction to Archival Science and Notions of Documentary Management in the Diploma in Archival Science and Documentary Management (UNTREF). She has lectured on Principles of Archival Science and Public and Private Archives at the University of Buenos Aires (UBA). <\/p>\n<p style=\"text-align: justify;\">Forma parte del comit\u00e9 organizador del Congreso Internacional sobre Archivos Personales, espacio interdisciplinario que a la fecha cuenta con tres ediciones (2017, 2019 y 2023). Obtuvo una beca de investigaci\u00f3n de la Hoover Library and Archives (Universidad de Stanford). Form\u00f3 parte del comit\u00e9 asesor del Sistema Nacional de Documentaci\u00f3n Hist\u00f3rica (Ministerio de Ciencia y Tecnolog\u00eda). Se desempe\u00f1\u00f3 profesionalmente en diferentes bibliotecas y archivos, dicta cursos de capacitaci\u00f3n y brinda asesoramiento, en particular, a archivos y centros de documentaci\u00f3n. Sus intereses de investigaci\u00f3n se relacionan con la Historia de las bibliotecas y la teor\u00eda, pr\u00e1ctica y pol\u00edticas archiv\u00edsticas en la Argentina.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/jael-scaled.jpg\u00bb title_text=\u00bbjael\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb custom_margin=\u00bb-4px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Jael Caiero<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Artist, activist and researcher. Graduate in Electronic Arts (UNTREF). Between 2015 and 2019 she worked as a fellow at the Archive of the Institute for Research in Art and Culture Dr. Norberto Griffa (UNTREF) where she is currently working on the cataloguing and digitisation of various collections of writers, visual artists and art theorists. Since 2019 she has been collaborating with Sexo y Revoluci\u00f3n, a programme of feminist and sex-gendered political memories (Centro de Documentaci\u00f3n e Investigaci\u00f3n para la Cultura de Izquierdas - Universidad Nacional de San Mart\u00edn), where she has carried out tasks of digitisation and cataloguing of collections of sexual dissidence activists such as Marcelo Ferreyra and Rafael Freda<\/p>\n<p style=\"text-align: justify;\">She worked as a professor in the Project Laboratory of the Diploma in Management of LGBTI+ Cultural Projects (Paco Urondo Cultural Centre - UBA) and in the Seminar of Artistic Practices in the Degree in Electronic Arts (UNTREF)<br \/>Sus intereses de investigaci\u00f3n se vinculan a los archivos queer, con especial hincapi\u00e9 en las construcciones activistas y comunitarias de los mismos y sus movimientos por fuera y por dentro de las instituciones.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: left;\">Archaeology of the Rio de la Plata area<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/LogoEAR.jpg\u00bb title_text=\u00bbLogoEAR\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">The Rioplatense Archaeology team of the Ceramic Analysis Laboratory has been carrying out research and extension and communication work in the districts of Magdalena and Punta Indio since 1989. Different lines of work are being developed to address the following topics: The lifestyles and social dynamics of the societies that inhabited these territories during the late Holocene; ceramic technology; the use of faunal and plant resources; historical occupations, ranging from the beginning of European colonisation to the beginning of the 20th century: architectural heritage, the management of the landscape and industrial developments in the area.<\/p>\n<p>[\/et_pb_text][et_pb_social_media_follow _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_social_media_follow_network social_network=\u00bbfacebook\u00bb url=\u00bbhttps:\/\/www.facebook.com\/lac.arqueologia.7%20%20&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#3b5998&#8243; global_colors_info=\u00bb{}\u00bb follow_button=\u00bboff\u00bb url_new_window=\u00bbon\u00bb]facebook[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=\u00bbyoutube\u00bb url=\u00bbhttps:\/\/www.youtube.com\/@arqueologiarioplatense-lac9773%20&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#a82400&#8243; global_colors_info=\u00bb{}\u00bb follow_button=\u00bboff\u00bb url_new_window=\u00bbon\u00bb]youtube[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Naiquen-Ghiani-Echenique2.jpg\u00bb title_text=\u00bbNaiquen Ghiani Echenique2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb text_line_height=\u00bb0.8em\u00bb custom_margin=\u00bb-4px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Mar\u00eda Soledad Garc\u00eda Lerena<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Naiquen-Ghiani-Echenique.jpg\u00bb title_text=\u00bbNaiquen Ghiani Echenique\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb text_line_height=\u00bb0.8em\u00bb custom_margin=\u00bb-4px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Naiquen Ghiani Echenique<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; custom_padding=\u00bb75px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb44px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Group of Studies on Heritage and History of Archaeological Practice and Communication Department of Humanities (IHUMA-UNS)<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logosneco.png\u00bb title_text=\u00bblogosneco\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb27px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Foto-Candela.jpeg\u00bb title_text=\u00bbFoto Candela\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_social_media_follow _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_social_media_follow_network social_network=\u00bbinstagram\u00bb url=\u00bbhttps:\/\/www.instagram.com\/arqueologia.en.cruce\/\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ea2c59&#8243; global_colors_info=\u00bb{}\u00bb follow_button=\u00bboff\u00bb url_new_window=\u00bbon\u00bb]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb text_line_height=\u00bb0.9em\u00bb custom_margin=\u00bb12px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb42px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Candela Roteta Lannes<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb50px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Professor of History at the Universidad Nacional del Sur (UNS). She is a doctoral fellow of the National Council for Scientific and Technical Research (CONICET) and is studying for her PhD in Archaeology at the UBA. She is a member of the Archaeology at the Crossroads Programme of the Heritage and History of Archaeological Practice and Communication Studies Group of the Department of Humanities (UNS). Her research focuses on the study of photography and photogrammetry in Pampean archaeology and the application of ICT in museum environments for the democratisation and accessibility in the communication of archaeological heritage. As an educator and communicator of Archaeology in crossroads, she is in charge of creating content and educational material for scientific communication in networks. She is part of the editorial committee of the magazine La Zaranda de Ideas, of the Wikimedistas en Ciencia Abierta Network of the Universidad Nacional de La Plata and is co-coordinator of the Wikimedistas en Cruce team.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: left;\">Museum of the Caudillos | Historical Archaeology of the Llanos Sur<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Logos-Museo_transp-10-scaled.png\u00bb title_text=\u00bbLogos Museo_transp-10&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logo-negro-RVP-scaled.png\u00bb title_text=\u00bblogo negro RVP\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb7px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">The Museum of the Caudillos (Municipality of Rosario V. Pe\u00f1aloza, La Rioja) promotes historical and archaeological research in conjunction with oral history and local knowledge. Its objective is to value regional history and develop strategies for heritage preservation and dissemination. The Heritage Research and Management Department promotes the \"Historical Archaeology of the Llanos sur\" project, focusing on social transformations between the 18th and 19th centuries. A Digital Space was also created, with proposals for democratizing access to new technologies. 3D virtualization and virtual reality experiences were integrated here with support from the Williams Foundation (Ensayar Museos, 2022 and 2024).<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Aniela-Traba.jpg\u00bb title_text=\u00bbAniela Traba\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb45px\u00bb custom_margin=\u00bb-4px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Aniela Traba<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">She holds a degree in Anthropological Sciences (focus on Archaeology) and specializes in Archaeological Impact Assessment and Study (UBA). She is currently completing her Master's degree in Virtual Heritage (University of Alicante, Spain). A researcher in historical and urban archaeology, she works with digital technologies applied to heritage recording, analysis, and communication. She works as a technical advisor in heritage management and enhancement, with projects in Argentina and Chile. Since 2021, she has coordinated the Heritage Research and Management Area of \u200b\u200bthe Museo de los Caudillos, where she promotes research, conservation actions, professional training, and museographic design. Since 2018, she has furthered her training in museum management and collections management. She is co-editor of Urbania, a Latin American journal of archaeology and history of cities, and develops independent heritage virtualization and GIS projects through @arqueo.dron.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Jorge-Cabral-3.jpg\u00bb title_text=\u00bbJorge Cabral 3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb45px\u00bb text_line_height=\u00bb1em\u00bb custom_margin=\u00bb-4px||17px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Jorge Cabral Ort\u00edz<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb7px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He holds a degree in Anthropology (National University of Salta) and is Coordinator of Historical and Sociocultural Heritage for the Rosario Vera Pe\u00f1aloza Municipality (La Rioja), where he is also in charge of the Museo de los Caudillos (Museum of the Caudillos). He specializes in archaeology in the Northwest Region, heritage management with communities, collections management, and education. He has directed and participated in research and enhancement projects for community sites and museums in the Calchaqu\u00ed Valleys and the La Rioja Plains. Between 2017 and 2021, he was head of the Research, Collections, and Cultural Heritage Department at the P\u00edo Pablo D\u00edaz Archaeological Museum (Salta). He develops educational proposals that connect museum institutions with students at different levels and coordinates heritage virtualization projects using participatory approaches, integrating local knowledge, oral memory, and archaeological research.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb3_5,2_5&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_5&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/2-2.jpg\u00bb title_text=\u00bb2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/3-1.png\u00bb title_text=\u00bb3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_5&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/caudillos5.jpeg\u00bb title_text=\u00bbcaudillos5&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: left;\">Antarctic Archaeology \"The Last Horizon\"<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb2_5,3_5&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb2_5&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Logo-Proyecto.jpg\u00bb title_text=\u00bbLogo Proyecto\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb3_5&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb17px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Laboratory of Landscape Archaeology and Heritage of Uruguay, Faculty of Humanities and Educational Sciences, Eastern Regional Center, University of the Republic, Uruguay<\/p>\n<p>[\/et_pb_text][et_pb_social_media_follow _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_orientation=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_social_media_follow_network social_network=\u00bbinstagram\u00bb url=\u00bbhttps:\/\/www.instagram.com\/arqueologia_antartica?igsh=MTV4bm1xMXY0enFwNA==\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ea2c59&#8243; global_colors_info=\u00bb{}\u00bb follow_button=\u00bboff\u00bb url_new_window=\u00bbon\u00bb]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Bruno-Gentile.jpeg\u00bb title_text=\u00bbBruno Gentile\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb45px\u00bb text_line_height=\u00bb0.9em\u00bb custom_margin=\u00bb-4px||40px|||\u00bb animation_style=\u00bbslide\u00bb hover_enabled=\u00bb0&#8243; text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0&#8243;]<\/p>\n<p style=\"text-align: center;\">Bruno\u00a0 Ernesto Gentile\u00a0<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He is a researcher at the Landscape and Heritage Archaeology Laboratory of the Faculty of Humanities and Education Sciences, University of the Republic (Uruguay). He holds a degree in Anthropology with a focus on Research, specializes in Integrated Coastal Management, and is pursuing a master's degree in this area at the Eastern Regional University Center (CURE). His work addresses the intersection of cultural heritage and landscape, participating in research and outreach projects on landscape archaeology, multivocal heritage, and environmental awareness, in collaboration with public and academic institutions. He has experience coordinating and implementing educational activities, organizing conferences and scientific events, and publishing works on cultural heritage and environmental management. His interdisciplinary approach promotes the appreciation and comprehensive conservation of heritage. He is currently involved in a project on the earliest human occupations in Antarctica.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Diego-Aguirrezabal2.jpeg\u00bb title_text=\u00bbDiego Aguirrez\u00e1bal2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb45px\u00bb text_line_height=\u00bb1em\u00bb custom_margin=\u00bb-4px||34px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Diego Aguirrez\u00e1bal<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb306px\u00bb custom_margin=\u00bb7px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He is a professor and researcher at the Landscape and Heritage Archaeology Laboratory of the Faculty of Humanities and Education Sciences, University of the Republic (Uruguay). His interdisciplinary background combines archaeology, history, and anthropology to study the interaction between human societies and their environments over time. His research covers occupation processes from prehistory to recent history in the Americas and Europe, focusing on making historically invisible minorities visible. His work centers on the landscape as a dynamic cultural product, integrating multiple temporalities and forms of appropriation. This approach allows him to analyze environmental transformations linked to relations of power, adaptation, and resistance. He has published numerous articles, chapters, and technical reports. He currently directs a project on the earliest human occupations in Antarctica, which seeks to redefine the political and social processes involved in the historical construction of the southernmost continent.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Proceso_1.jpeg\u00bb title_text=\u00bbProceso_1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Proceso_2.jpeg\u00bb title_text=\u00bbProceso_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Proceso.jpeg\u00bb title_text=\u00bbProceso\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: left;\">Latin American Digital Anthropology Network<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Natalia-Orrego.jpg\u00bb title_text=\u00bbNatalia Orrego\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb45px\u00bb custom_margin=\u00bb-4px||40px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Natalia Orrego<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">PhD candidate in Anthropology at the Pontificia Universidad Cat\u00f3lica de Chile (Santiago de Chile) and founding member of the Latin American Network of Digital Anthropology where she has participated in the organisation of its annual congress, its cycle of talks and other initiatives. Her PhD thesis deals with the 5G network implementation process in Chile from a socio-cultural and historical perspective that highlights the multiple meanings of the system, as well as the ways in which it is created, used and resisted in everyday life. Her main research topics are telecommunications infrastructure studies, the anthropology of mobile phones and the history of radio communications. She is currently an editorial assistant for the journal Big Data&amp;Society, public relations officer for the Committee for the Anthropology of Science, Technology &amp; Computing of the American Anthropological Association, and coordinator of the STS-Chile Network's Mentoring Programme.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Argo-Chavez.jpeg\u00bb title_text=\u00bbArgo Ch\u00e1vez\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb45px\u00bb text_line_height=\u00bb1em\u00bb custom_margin=\u00bb-4px||17px|||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Mary Ann Argo Ch\u00e1vez<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb7px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Sociocultural Anthropologist, PhD student in Media and Cultural Studies at Birmingham City University and member of the Latin American Network of Digital Anthropology since 2021. She participated as part of the Organizing Committee for the I and II Latin American Meeting of Digital Anthropology (2021 and 2022 respectively), as General Coordinator for the III Meeting (2023) and as part of the academic committee in its 2024 version. She has worked on research projects and for institutions in community outreach around issues of gender, sexual diversity, education and cultural heritage. Member of the Gamer Consedcity Association, she is currently developing research on Role Playing Games (TRPG) in Chile, on Game Studies in South America and on cybersecurity in gaming communities in Chile.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; custom_padding=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Arqueolog\u00eda pampeana del r\u00edo Salado<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Logo-arqueo-del-salado.png\u00bb title_text=\u00bbLogo arqueo del salado\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">The Pampean Archaeology Team of the Salado River is a research group dedicated to the archaeological study of the populations that inhabited the wetlands of the Salado River, in the Pampean region of Buenos Aires. Its lines of work include the analysis of archaeological materials, actualistic studies, the revision of documentary sources and public archaeology. They also develop strategies for public communication of science and use digital tools to strengthen the work with local actors.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb36px|auto||auto||\u00bb custom_padding=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/IMG_4136.jpg\u00bb title_text=\u00bbIMG_4136&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb62px\u00bb text_line_height=\u00bb0.8em\u00bb min_height=\u00bb13.8px\u00bb custom_margin=\u00bb-30px||40px|||\u00bb custom_padding=\u00bb34px|||||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Olivia Sokol<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb min_height=\u00bb336px\u00bb custom_margin=\u00bb26px||-3px|||\u00bb animation_style=\u00bbslide\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Professor in Anthropological Sciences and Specialist in Evaluation and Study of Archaeological Impact by the UBA. PhD student at the Faculty of Philosophy and Letters (UBA) and CONICET fellow. She is a member of the Pampean Archaeology Team of the R\u00edo Salado at the Institute of Archaeology (FFyL, UBA). She teaches \u2018Archaeological Materials and their Technologies\u2019 (FFyL, UBA). Since 2023 he is part of the Digital Archaeology Network of Argentina. In 2024 she did a UBAINT exchange stay at the University of Barcelona (UB) participating in community archaeology and heritage digitization projects. She researches the impact of digital technologies applied to heritage in the processes of communication and appropriation of archaeological knowledge by local communities in the Salado River Depression.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bbnone\u00bb custom_margin=\u00bb11px|auto||auto||\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Quema-scaled.jpg\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_enable_image=\u00bboff\u00bb background_video_mp4=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Rompecabezas.mp4&#8243; custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Toma-de-fotos.jpg\u00bb background_enable_video_mp4=\u00bboff\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Quema-ceramistas-locales-scaled.jpg\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb custom_padding=\u00bb||45px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Ondare Irekia Open Heritage<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logondare1.png\u00bb title_text=\u00bblogondare1&#8243; align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||0px|145px||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb49px\u00bb text_orientation=\u00bbcenter\u00bb custom_padding=\u00bb|||145px||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.ondareirekia.com\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><span style=\"color: #000000; text-decoration: underline;\">Website<\/span><\/span><\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb text_font_size=\u00bb15px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Ondare Irekia\/Open Heritage is a project focused on research into the history, art, and culture of the Basque Country, although it also explores the heritage of other geographical latitudes. The team is made up of individuals with recognized experience in the fields of Art History, Image Theory, History, and Visual Anthropology, who are characterized by their methodological and technological innovation. Through the use of Digital Humanities, we seek to provide up-to-date and reliable information about our heritage accessible to all audiences.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/gorkavatar.png\u00bb title_text=\u00bbgorkavatar\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb32px\u00bb text_line_height=\u00bb0.8em\u00bb min_height=\u00bb13.8px\u00bb custom_margin=\u00bb-30px||40px|||\u00bb custom_padding=\u00bb34px|||||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Gorka L\u00f3pez de Munain<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">He holds a PhD in Art History from the University of Barcelona. He currently teaches Art History at the University of the Basque Country \/ Euskal Herriko Unibertsitatea and at the UNED. Since 2013 he has been a researcher at the Visual Anthropology Area of the University of Buenos Aires. His two main lines of research are the visual culture of death and the study of medieval art in the Basque Country.\n\nTranslated with DeepL.com (free version)<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/maravatar3.png\u00bb title_text=\u00bbmaravatar3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb32px\u00bb text_line_height=\u00bb0.8em\u00bb min_height=\u00bb13.8px\u00bb custom_margin=\u00bb-30px||40px|||\u00bb custom_padding=\u00bb34px|||||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Marina Guti\u00e9rrez De Angelis<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">She holds a PhD in Anthropology (UBA), a Master's degree in Art History (UNSAM), and a Bachelor's degree in Anthropology and Communication Sciences (UBA). Since 1998, she has worked as a professor and researcher at the University of Buenos Aires. She coordinates the Visual Anthropology Department. Her research focuses on the study of images from an interdisciplinary perspective that articulates visual anthropology, cognitive neuroscience, and digital technologies.\n\nSugerencias\nTraductor de Google<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bbnone\u00bb custom_margin=\u00bb11px|auto||auto||\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/najera.jpg\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_enable_image=\u00bboff\u00bb background_video_mp4=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/alaiza1.mp4&#8243; custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Toma-de-fotos.jpg\u00bb background_video_mp4=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/demo7.mp4&#8243; custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/IMG_20220701_230324_406-scaled.jpg\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbHeader\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_enable_color=\u00bboff\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/800px-SantaCruz-CuevaManos-P2210651b.jpg\u00bb background_size=\u00bbcustom\u00bb background_image_width=\u00bb100%\u00bb background_position=\u00bbbottom_left\u00bb overflow-x=\u00bbhidden\u00bb overflow-y=\u00bbhidden\u00bb custom_margin=\u00bb-50px|||||\u00bb custom_padding=\u00bb10%||10%||true|false\u00bb background_last_edited=\u00bbon|tablet\u00bb background_size_tablet=\u00bbcover\u00bb background_position_tablet=\u00bbcenter\u00bb border_width_top=\u00bb23px\u00bb border_color_top=\u00bb#FFFFFF\u00bb locked=\u00bboff\u00bb collapsed=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#FFFFFF\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logo-aav-black-2.png\u00bb title_text=\u00bblogo-aav-black-2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb41px|||3px|false|false\u00bb custom_padding=\u00bb68px||57px|||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|41px|||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">The Area of Visual Anthropology is an academic and research space of the Faculty of Philosophy and Letters of the University of Buenos Aires. Since its creation in the 1990s, the AAV has established itself as a reference in the interdisciplinary study of the image, integrating approaches from anthropology, art history, experimental aesthetics and digital humanities. Its lines of research cover topics such as immersive visual anthropology, prehistoric visual culture, political iconography and the relationship between image and science. The AAV offers undergraduate and postgraduate seminars that address the study of the image from an interdisciplinary approach. The AAV also organises academic events, such as the Jornadas de Antropolog\u00eda e Imagen, and publishes research that contributes to the development of new methodologies and theoretical frameworks in the study of the image. These initiatives reflect its commitment to innovation and interdisciplinarity in the humanities<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; custom_padding=\u00bb||1px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb92px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Patrimonio cient\u00edfico educativo del Colegio Nacional Buenos Aires<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logo-aav-black-2.png\u00bb title_text=\u00bblogo-aav-black-2&#8243; align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb4px||0px|145px||\u00bb global_colors_info=\u00bb{}\u00bb]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Since late 2019, the Area of Visual Anthropology has been conducting a survey of the scientific and educational heritage of the Colegio Nacional de Buenos Aires. The research focused on collections used for science teaching since the late 19th century, with special attention to the pedagogical uses of images and their digitization to expand public access. Activities included presentations in school and academic settings, forging links with other secondary education institutions with similar heritage. These initiatives were developed within the framework of various projects promoted by universities and national organizations, aimed at the preservation, study, and dissemination of scientific heritage through visual technologies and digital strategies.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbNeighborhoods\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#eaebe6&#8243; custom_padding=\u00bb0px||0px||true|\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_3,1_3,1_3&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb max_width=\u00bb1908px\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_team_member name=\u00bbPaula Bruno Garc\u00e9n\u00bb image_url=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/pauavatar.png\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb header_font=\u00bbInter|700|||||||\u00bb header_text_align=\u00bbleft\u00bb header_text_color=\u00bb#000000&#8243; header_font_size=\u00bb26px\u00bb body_font=\u00bbInter||||||||\u00bb body_line_height=\u00bb1.5em\u00bb body_font_size_tablet=\u00bb\u00bb body_font_size_phone=\u00bb15px\u00bb body_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Licenciada y Profesora en Artes (Universidad de Buenos Aires), Magister en Curadur\u00eda en Artes Visuales (Universidad Nacional de Tres de Febrero). Cursa el Doctorado en Teor\u00eda e Historia de las Artes (UBA) con beca CONICET. En la Facultad de Filosof\u00eda y Letras (UBA) integra el Grupo de Historia y Epistemolog\u00eda de las Cartograf\u00edas e Im\u00e1genes T\u00e9cnicas y el \u00c1rea de Antropolog\u00eda Visual.<\/p>\n<p style=\"text-align: justify;\">Ha dictado cursos y seminarios de formaci\u00f3n asociados a los estudios de cultura visual y el arte contempor\u00e1neo. Su trabajo se centra en el uso de las tecnolog\u00edas y pr\u00e1cticas cient\u00edficas en las diversiones del siglo XIX y las pr\u00e1cticas art\u00edsticas contempor\u00e1neas.<\/p>\n<p>[\/et_pb_team_member][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_team_member name=\u00bbGreta Winckler\u00bb image_url=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/gretavatar.png\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb header_font=\u00bbInter|700|||||||\u00bb header_text_align=\u00bbleft\u00bb header_font_size=\u00bb26px\u00bb body_font=\u00bbInter||||||||\u00bb body_line_height=\u00bb1.5em\u00bb body_font_size_tablet=\u00bb\u00bb body_font_size_phone=\u00bb15px\u00bb body_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">She  has a degree in Anthropological Sciences, a PhD in Anthropology from the University of Buenos Aires and is currently a postdoctoral fellow with a CONICET grant. Since 2014 she has been a member of the Visual Anthropology Area, as a researcher and teacher. In 2021 she joined the Latin American Network of Digital Anthropology. Her work projects address the relationship between political praxis and its visual manifestations, especially those linked to child participation and mobilization in social organizations, so since 2021 she is part of the research team Ni\u00f1ez Plural (UBA). She also addresses issues related to regional political iconography and the visual strategies of politics in the digital diaspora.<\/p>\n<p>[\/et_pb_team_member][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_team_member name=\u00bbCarolina Griffero\u00bb image_url=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/loliavatar.png\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb header_font=\u00bbInter|700|||||||\u00bb header_text_align=\u00bbleft\u00bb header_font_size=\u00bb26px\u00bb body_font=\u00bbInter||||||||\u00bb body_line_height=\u00bb1.5em\u00bb body_font_size_tablet=\u00bb\u00bb body_font_size_phone=\u00bb15px\u00bb body_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Es Dise\u00f1adora de Imagen y Sonido (FADU, UBA), Profesora en Docencia Superior (INSPT, UTN), Diplomada en Gesti\u00f3n y Preservaci\u00f3n del Patrimonio Audiovisual (UNA), y Especialista en Dise\u00f1o de Ense\u00f1anza con Tecnolog\u00edas para el Nivel Superior (CITEP, UBA) y en Educaci\u00f3n con Im\u00e1genes (ISFDyT N.\u00ba 46). Su trabajo se centra en los cruces entre educaci\u00f3n, imagen y memoria. Como maestranda en Historia P\u00fablica (UNQ), participa en proyectos vinculados al paisaje barrial de Mataderos. Es tambi\u00e9n becaria doctoral UBA en Historia y Teor\u00eda de las Artes, donde investiga la preservaci\u00f3n y divulgaci\u00f3n del patrimonio visual escolar desde una perspectiva de humanidades digitales. Desde 2022 integra el \u00c1rea de Antropolog\u00eda Visual.<\/p>\n<p>[\/et_pb_team_member][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb max_width=\u00bb1908px\u00bb custom_padding=\u00bb||71px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_team_member name=\u00bbAldana Jimenez\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb header_font=\u00bbInter|700|||||||\u00bb header_font_size=\u00bb25px\u00bb body_font=\u00bbInter||||||||\u00bb body_line_height=\u00bb1.5em\u00bb body_font_size_tablet=\u00bb\u00bb body_font_size_phone=\u00bb15px\u00bb body_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">She is a student of anthropology at the University of Buenos Aires. She is a member of the Visual Anthropology Department at the University of Buenos Aires (UBA). She participates in the CNBA project.<\/p>\n<p>[\/et_pb_team_member][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_team_member name=\u00bbEsther Barreiro\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb header_font=\u00bbInter|700|||||||\u00bb header_font_size=\u00bb25px\u00bb body_font=\u00bbInter||||||||\u00bb body_line_height=\u00bb1.5em\u00bb body_font_size_tablet=\u00bb\u00bb body_font_size_phone=\u00bb15px\u00bb body_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Architect. She has been in charge of the Historical-Administrative Archives of the National College of Buenos Aires since 2006.<\/p>\n<p>[\/et_pb_team_member][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_team_member name=\u00bbMarina Guti\u00e9rrez De Angelis\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb header_font=\u00bbInter|700|||||||\u00bb header_font_size=\u00bb25px\u00bb body_font=\u00bbInter||||||||\u00bb body_line_height=\u00bb1.5em\u00bb body_font_size_tablet=\u00bb\u00bb body_font_size_phone=\u00bb15px\u00bb body_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">She holds a PhD in Anthropology (UBA), a Master's degree in Art History (UNSAM), and a BA in Anthropology and Communication Sciences (UBA). She coordinates the Area of Visual Anthropology.<\/p>\n<p>[\/et_pb_team_member][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bbnone\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/slide6.jpg\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_enable_image=\u00bboff\u00bb background_video_mp4=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/metacnba.mp4&#8243; custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/slide3.jpg\u00bb background_enable_video_mp4=\u00bboff\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/museocnbageo.jpg\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb66px|auto||auto||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Mary and the Twelve of the Holy Cross 360\u00ba Video<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logo-aav-black-2.png\u00bb title_text=\u00bblogo-aav-black-2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb17px|||||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Every December 8th since 2007, at the Church of the Holy Cross in the San Crist\u00f3bal neighborhood, a small statue of a young pregnant peasant woman representing the Virgin Mary presides over a ceremony that is part of the Memory, Truth and Justice processes. In addition to celebrating the day of the Virgin Mary, the ceremony also commemorates the kidnapping and disappearance in 1977 in that same church of members of a group who were demanding the return of their relatives and friends kidnapped by the military dictatorship. <\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/carmen.jpg\u00bb title_text=\u00bbcarmen\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb43px\u00bb text_line_height=\u00bb0.8em\u00bb min_height=\u00bb13.8px\u00bb custom_margin=\u00bb-30px||40px|||\u00bb custom_padding=\u00bb34px|||||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Carmen Guarini<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">Graduated in Anthropological Sciences from the University of Buenos Aires in 1980, she obtained in 1988 a Doctorate in Etudes Theatrales et Cin\u00e9matographiques .Option: Cin\u00e9ma Anthropologique from the University of Paris I- Sorbonne and Paris X-Nanterre (France) with a Thesis under the direction of Jean Rouch. He also obtained the Diploma d'Etudes Approfondies en Anthropologie Sociale et Culturelle from the University of Paris V, Sorbonne in 1981 and in 1982 the Diploma d'Etudes Theatrales et Cin\u00e9matographiques (Option: Cin\u00e9ma Anthropologique) from Paris I, Sorbonne and Paris X, Nanterre. He attended specialisation seminars with Fernando Birri, Jean Louis Comolli and Jorge Prelor\u00e1<\/p>\n<p style=\"text-align: justify;\">Since 1992 she has been a researcher at the National Council for Scientific and Technical Research of Argentina. She teaches at the Master in Documentary Film at the Universidad del Cine, at the UNDAV (Universidad de Avellaneda), at the Escuela Internacional de Cine y Televisi\u00f3n de San Antonio de Los Ba\u00f1os, Cuba and at the Master in Latin American and Caribbean Film FNCL\/UA ISA - Universidad de Las Artes, Havana, Cuba. Visiting Professor in France, Ecuador, Spain. She currently directs the DocBuenosAires Festival. Since 2021 she is Vice-President of DAC (Argentinean Film Directors).<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|auto|67px|auto||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/doce.jpg\u00bb title_text=\u00bbdoce\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb65px\u00bb text_line_height=\u00bb0.9em\u00bb text_orientation=\u00bbright\u00bb text_font_size_tablet=\u00bb96px\u00bb text_font_size_phone=\u00bb21px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p>Applications of Artificial Intelligence and Virtual Reality in the study of prehistoric visual culture<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/logo-aav-black-2.png\u00bb title_text=\u00bblogo-aav-black-2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb60px|||||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">From an interdisciplinary perspective, this project integrates artificial intelligence, virtual reality, and photogrammetry for the study, conservation, and dissemination of rock art in its archaeological context. Deep learning models are used to improve the identification of visual motifs, facilitating the automated detection of patterns and spatial correlations between figures, both anthropogenic and natural. VR and eye tracking are used to analyze visual and sensorimotor perception of the images to determine whether natural rock formations were intentionally used and to predict areas most likely to contain figures, thus optimizing detection and documentation strategies.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/maravatar3.png\u00bb title_text=\u00bbmaravatar3&#8243; align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter|700|||||||\u00bb text_text_color=\u00bb#000000&#8243; text_font_size=\u00bb34px\u00bb text_line_height=\u00bb0.8em\u00bb min_height=\u00bb13.8px\u00bb custom_margin=\u00bb-30px||40px|||\u00bb custom_padding=\u00bb34px|||||\u00bb animation_style=\u00bbslide\u00bb text_font_size_tablet=\u00bb65px\u00bb text_font_size_phone=\u00bb40px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: center;\">Marina Guti\u00e9rrez De Angelis<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb text_font=\u00bbInter||||||||\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p style=\"text-align: justify;\">She holds a PhD in Anthropology (UBA), a Master's degree in Argentine and Latin American Art History (UNSAM), a Bachelor's degree in Anthropological Sciences, and a Bachelor's degree in Communication Sciences (UBA). Since 1998, she has worked as a professor and researcher at the University of Buenos Aires, where she has taught, among other subjects, Immersive Visual Anthropology and Anthropology of the Image. She coordinates the Visual Anthropology Department and is a member of the Ondare Irekia \u2013 Open Heritage Association (Spain). Her research focuses on the study of images from an interdisciplinary perspective that articulates visual anthropology, cognitive neuroscience, and digital technologies. She has investigated various aspects of visual culture, including the relationship between image and death, religious representations and devotional practices, colonial cartography, as well as contemporary manifestations of visuality in digital environments, with special attention to the intersections between technology, perception, and the body. She is currently exploring the use of virtual reality, eye tracking, and AI to study prehistoric visual manifestations and understand the processes of visual perception and attention. Her areas of interest include imaging and cognitive neuroscience, image anthropology, immersive visual anthropology, virtual reality, virtual reconstructions, and photogrammetry.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/photo_2024-07-20_14-37-04.jpg\u00bb width=\u00bb100%\u00bb max_width=\u00bbnone\u00bb custom_margin=\u00bb34px|auto||auto||\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/photo_2024-09-23_10-41-13.jpg\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/photo_2024-07-20_14-37-04.jpg\u00bb background_enable_video_mp4=\u00bboff\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_enable_image=\u00bboff\u00bb background_video_mp4=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/IMG_2372-1.mp4&#8243; custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb use_background_color_gradient=\u00bbon\u00bb background_color_gradient_stops=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.3) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/expandida.jpg\u00bb custom_padding=\u00bb8%|4%|8%|4%|true|true\u00bb link_option_url=\u00bb#\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bbon|hover\u00bb background_color_gradient_stops__hover=\u00bbrgba(0,0,0,0.3) 0%|rgba(0,0,0,0.8) 100%\u00bb use_background_color_gradient__hover=\u00bbon\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":"<p>ParticipantesInicio Presentaci\u00f3n Programa Participantes Inscripciones &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; VII Jornadas de Antropologia e Imagen &nbsp;Imagen y conocimiento: Las humanidades en el escenario digital contempor\u00e1neo Participantes EduVRGameLab El Laboratorio de Investigaci\u00f3n EduVRGameLab es una unidad de investigaci\u00f3n interdepartamental de la Facultad de Humanidades de la Universidad AGH de Cracovia. Estudia y utiliza el potencial sociocultural, educativo y comunicativo de las tecnolog\u00edas inmersivas (RV, RA, RM) y los juegos digitales. Sus actividades incluyen la realizaci\u00f3n de proyectos de investigaci\u00f3n interdisciplinarios -por ejemplo, investigar el uso de la RV para cultivar actitudes prosociales y proambientales, aplicar la RV en la educaci\u00f3n filos\u00f3fica y estudiar la antropolog\u00eda de la RV-, as\u00ed como ofrecer cursos acad\u00e9micos para estudiantes y dise\u00f1ar aplicaciones inmersivas originales. Jowita Guja Fil\u00f3sofa y estudiosa de la cultura, profesora de la Facultad de Humanidades de la Universidad AGH de Cracovia. Dirige el Laboratorio de Investigaci\u00f3n EduVRGameLab de la Universidad AGH. Sus intereses de investigaci\u00f3n incluyen la realidad virtual, la antropolog\u00eda filos\u00f3fica y el an\u00e1lisis de la cultura popular. Es coautora de la aplicaci\u00f3n experimental de RV The Cave, presentada en eventos como el Festival [&hellip;]<\/p>","protected":false},"author":1,"featured_media":9641,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-template-blank.php","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-8774","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.2 (Yoast SEO v24.2) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>VII Jornadas de Antropologia e Imagen. Imagen y conocimiento.<\/title>\n<meta name=\"description\" content=\"Jornadas dedicadas a la reflexi\u00f3n cr\u00edtica sobre humanidades digitales, tecnolog\u00edas emergentes e interdisciplina en contextos de investigaci\u00f3n y creaci\u00f3n.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antropologiavisual.com.ar\/en\/vii-jornadas-participantes\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VII Jornadas de Antropologia e Imagen. Imagen y Conocimiento\" \/>\n<meta property=\"og:description\" content=\"Jornadas dedicadas a la reflexi\u00f3n cr\u00edtica sobre humanidades digitales, tecnolog\u00edas emergentes e interdisciplina en contextos de investigaci\u00f3n y creaci\u00f3n.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.antropologiavisual.com.ar\/en\/vii-jornadas-participantes\/\" \/>\n<meta property=\"og:site_name\" content=\"\u00c1rea de Antropolog\u00eda Visual\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-29T21:55:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vlcsnap-2025-05-13-19h29m18s036-1024x576.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"576\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"VII Jornadas de Antropologia e Imagen. Imagen y Conocimiento\" \/>\n<meta name=\"twitter:description\" content=\"Jornadas dedicadas a la reflexi\u00f3n cr\u00edtica sobre humanidades digitales, tecnolog\u00edas emergentes e interdisciplina en contextos de investigaci\u00f3n y creaci\u00f3n.\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"27 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/\",\"url\":\"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/\",\"name\":\"VII Jornadas de Antropologia e Imagen. Imagen y conocimiento.\",\"isPartOf\":{\"@id\":\"https:\/\/www.antropologiavisual.com.ar\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vlcsnap-2025-05-13-19h29m18s036.png?fit=1920%2C1080&ssl=1\",\"datePublished\":\"2025-04-22T14:56:28+00:00\",\"dateModified\":\"2025-05-29T21:55:36+00:00\",\"description\":\"Jornadas dedicadas a la reflexi\u00f3n cr\u00edtica sobre humanidades digitales, tecnolog\u00edas emergentes e interdisciplina en contextos de investigaci\u00f3n y creaci\u00f3n.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vlcsnap-2025-05-13-19h29m18s036.png?fit=1920%2C1080&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vlcsnap-2025-05-13-19h29m18s036.png?fit=1920%2C1080&ssl=1\",\"width\":1920,\"height\":1080},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/www.antropologiavisual.com.ar\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"VII Jornadas participantes\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.antropologiavisual.com.ar\/#website\",\"url\":\"https:\/\/www.antropologiavisual.com.ar\/\",\"name\":\"\u00c1rea de Antropolog\u00eda Visual\",\"description\":\"Universidad de Buenos Aires\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.antropologiavisual.com.ar\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"VII Jornadas de Antropologia e Imagen. Imagen y conocimiento.","description":"Jornadas dedicadas a la reflexi\u00f3n cr\u00edtica sobre humanidades digitales, tecnolog\u00edas emergentes e interdisciplina en contextos de investigaci\u00f3n y creaci\u00f3n.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.antropologiavisual.com.ar\/en\/vii-jornadas-participantes\/","og_locale":"en_GB","og_type":"article","og_title":"VII Jornadas de Antropologia e Imagen. Imagen y Conocimiento","og_description":"Jornadas dedicadas a la reflexi\u00f3n cr\u00edtica sobre humanidades digitales, tecnolog\u00edas emergentes e interdisciplina en contextos de investigaci\u00f3n y creaci\u00f3n.","og_url":"https:\/\/www.antropologiavisual.com.ar\/en\/vii-jornadas-participantes\/","og_site_name":"\u00c1rea de Antropolog\u00eda Visual","article_modified_time":"2025-05-29T21:55:36+00:00","og_image":[{"width":1024,"height":576,"url":"https:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vlcsnap-2025-05-13-19h29m18s036-1024x576.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_title":"VII Jornadas de Antropologia e Imagen. Imagen y Conocimiento","twitter_description":"Jornadas dedicadas a la reflexi\u00f3n cr\u00edtica sobre humanidades digitales, tecnolog\u00edas emergentes e interdisciplina en contextos de investigaci\u00f3n y creaci\u00f3n.","twitter_misc":{"Estimated reading time":"27 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/","url":"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/","name":"VII Jornadas de Antropologia e Imagen. Imagen y conocimiento.","isPartOf":{"@id":"https:\/\/www.antropologiavisual.com.ar\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#primaryimage"},"image":{"@id":"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vlcsnap-2025-05-13-19h29m18s036.png?fit=1920%2C1080&ssl=1","datePublished":"2025-04-22T14:56:28+00:00","dateModified":"2025-05-29T21:55:36+00:00","description":"Jornadas dedicadas a la reflexi\u00f3n cr\u00edtica sobre humanidades digitales, tecnolog\u00edas emergentes e interdisciplina en contextos de investigaci\u00f3n y creaci\u00f3n.","breadcrumb":{"@id":"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#primaryimage","url":"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vlcsnap-2025-05-13-19h29m18s036.png?fit=1920%2C1080&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/vlcsnap-2025-05-13-19h29m18s036.png?fit=1920%2C1080&ssl=1","width":1920,"height":1080},{"@type":"BreadcrumbList","@id":"https:\/\/www.antropologiavisual.com.ar\/vii-jornadas-participantes\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/www.antropologiavisual.com.ar\/"},{"@type":"ListItem","position":2,"name":"VII Jornadas participantes"}]},{"@type":"WebSite","@id":"https:\/\/www.antropologiavisual.com.ar\/#website","url":"https:\/\/www.antropologiavisual.com.ar\/","name":"\u00c1rea de Antropolog\u00eda Visual","description":"Universidad de Buenos Aires","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.antropologiavisual.com.ar\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"}]}},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P3xRV2-2hw","_links":{"self":[{"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/pages\/8774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/comments?post=8774"}],"version-history":[{"count":143,"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/pages\/8774\/revisions"}],"predecessor-version":[{"id":9981,"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/pages\/8774\/revisions\/9981"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/media\/9641"}],"wp:attachment":[{"href":"https:\/\/www.antropologiavisual.com.ar\/en\/wp-json\/wp\/v2\/media?parent=8774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}