[et_pb_section][et_pb_row][et_pb_column type=\u00bb3_4″][et_pb_text admin_label=\u00bbText\u00bb background_layout=\u00bblight\u00bb text_orientation=\u00bbleft\u00bb]<\/p>\n
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Can images provoke an abdication? Do they have the power to establish or overthrow monarchies through their existence and dissemination? Images are powerful artifacts, difficult to handle and capable of inspiring the most diverse reactions in people. Throughout history, rulers, perfectly aware of this, have managed to master the production of a visual culture skillfully constructed to modulate thought, create wars or unite a nation. However, in the era of Visual Culture 2.0, the rules of the game have changed and citizens can produce, distribute and consume photographs generating reactions never before imagined. The latest generation of mobile phones or smartphones<\/em>, social networks, the logic of Web 2.0, instant messaging applications, etc., draw the broadest lines of new times in which the image takes on a prominent place.<\/p>\n Under these premises, this book will delve into the complex relationship that has always linked images to the monarchy. Taking as a starting point the famous photograph of King Juan Carlos I hunting in Botswana, an investigation is initiated in which the past and the present are intertwined, showing the survival of the symbolic gestures that define royalty. As art historian Hans Belting would say, \u201cimages are nomads of their media\u201d, jumping from one to another through time and adopting a different form in each case to define a visual genealogy that reaches to our days. This unique iconographic atlas will reveal many of the controversies that have arisen around this institution in the form of satires, defamations, iconoclasms, censorship\u2026 and that today question its legitimacy in a world dominated by digital images.<\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″][et_pb_text admin_label=\u00bbText\u00bb background_layout=\u00bblight\u00bb text_orientation=\u00bbleft\u00bb]<\/p>\n <\/p>\n Ander Gondra Aguirre<\/p>\n PhD. Marina Guti\u00e9rrez De Angelis<\/p>\n Gorka L\u00f3pez de Munain<\/p>\n Luis Vives-Ferr\u00e1ndiz S\u00e1nchez<\/p>\n Editorial: Sans Soleil<\/p>\n \u00a0<\/strong><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fullwidth=\u00bboff\u00bb specialty=\u00bboff\u00bb background_color=\u00bb#f7f7f7″ inner_shadow=\u00bboff\u00bb parallax=\u00bboff\u00bb][et_pb_row][et_pb_column type=\u00bb1_2″][et_pb_image admin_label=\u00bbImage\u00bb src=\u00bbhttp:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/Cuando-desperto-el-elefante-todavia-estaba-ah\u00ed.jpg\u00bb url_new_window=\u00bboff\u00bb animation=\u00bbleft\u00bb show_in_lightbox=\u00bboff\u00bb sticky=\u00bboff\u00bb \/][\/et_pb_column][et_pb_column type=\u00bb1_2″][et_pb_divider admin_label=\u00bbDivider\u00bb color=\u00bb#ffffff\u00bb show_divider=\u00bboff\u00bb height=\u00bb60″ \/][et_pb_cta admin_label=\u00bbCall To Action\u00bb title=\u00bbDisponible\u00bb button_url=\u00bbhttp:\/\/www.sanssoleil.es\/argentina\/producto\/cuando-desperto-el-elefante-todavia-estaba-ahi-la-imagen-del-rey-en-la-cultura-visual-2-0\/\u00bb button_text=\u00bbTienda\u00bb background_color=\u00bb#2caaca\u00bb use_background_color=\u00bboff\u00bb background_layout=\u00bblight\u00bb text_orientation=\u00bbleft\u00bb]<\/p>\n <\/p>\n En nuestra p\u00e1gina web de Espa\u00f1a y Argentina, y en librer\u00edas.<\/p>\n <\/p>\n [\/et_pb_cta][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":"Autores: Grupo Irudi Estudios de la imagen<\/h4>\n
Year: 2014<\/h4>\n