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Images, medium and apparatus in visual culture 2.0<\/span><\/strong> Director: PhD. Marina Gutierrez De Angelis<\/p>\n Greta Winckler 2018-2020.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb3.25″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.0.47″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb3.27.4″ border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n This project builds on the advances developed in a previous UBACyT project to pay special attention to the relationship between images, media and devices in the scenario of what we call visual culture 2.0. We propose to address certain types of images produced in digital media. The interactive-collaborative nature of these completely transformed the Internet and boosted its development with the arrival of smart phones. This massive capacity to create and share content in a simple and fast way has given rise to what Andr\u00e9 Gunthert calls imagen conversacional<\/em> (Gunthert 2015). These devices have become the most widespread space for access and interaction on the network. These images share elements of the poor images<\/em> and the conversational images<\/em> to which can be added the clonation<\/em>the replica<\/em> and motion<\/em>In this sense, Gunthert points out that we have moved from the era of the technical reproducibility of the image to that of its digital appropriability, while for W. J. T. Mitchell, to the era of its biocybernetic reproducibility (2014:107). The nature of the supports determines the ways in which an image can be produced, reproduced, viewed, manipulated, archived, transmitted and shared, as well as its duration and capacity to persist over time. Images in visual culture 2.0 respond to the conditioning of new devices for looking. The latest generation mobile phones, social networks, the logic of web 2.0, instant messaging applications, etc., draw the broadest lines of this visual culture that we will try to define.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb3.22″ custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb3.25″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.0.47″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ vertical_offset_tablet=\u00bb0″ horizontal_offset_tablet=\u00bb0″ z_index_tablet=\u00bb0″ text_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_text_shadow_blur_strength_tablet=\u00bb1px\u00bb link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_2_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_2_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_2_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_3_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_3_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_3_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_4_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_4_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_4_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_5_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_5_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_5_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_6_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_6_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_6_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Publications<\/strong><\/p>\n<\/blockquote>\n Guti\u00e9rrez De Angelis et. al. Im\u00e1genes, cuerpos, dispositivos<\/em><\/strong>, Sans Soleil Ediciones, Buenos Aires, 2019. Prologue<\/em> Genealog\u00eda de los dispositivos inmersivos: los panoramas de rotonda decimon\u00f3nicos,<\/em> El clon o el moderno Prometeo: Imagen y reencarnaci\u00f3n biocibern\u00e9tica en las series de ciencia ficci\u00f3n contempor\u00e1neas<\/em> Imagen, cuerpo y pol\u00edtica. Proceso de zombificaci\u00f3n en el gabinete nacional<\/em> Operaci\u00f3n Pixuleco: guerra de im\u00e1genes durante las campa\u00f1as por el encarcelamiento de Lula<\/em> De avatares, androides y cyborgs. Una reflexi\u00f3n antropol\u00f3gica sobre las im\u00e1genes del cuerpo en ciencia ficci\u00f3n<\/em> Guti\u00e9rrez De Angelis, Marina. \u00abDe Kepler a Google Street View: La perspectiva cenital como dispositivo de la visi\u00f3n\u00bb, E-imagen Revista 2.0, N\u00ba5, A\u00f1o 2018, Sans Soleil Ediciones, Espa\u00f1a-Argentina.<\/a><\/p>\n
UBACyT 20020170200180BA Programaci\u00f3n 2018-2020<\/p>\n
Paula Bruno
Ver\u00f3nica Mandelbaum
Carolina Menke
Gorka L\u00f3pez de Munain
Silvina In\u00e9s Gonzalez
Stefania Camean
Agustina Mesia Crowley<\/p>\n\n
Descargar libro<\/a><\/p>\n
Marina Guti\u00e9rrez De Angelis<\/p>\n
Paula Bruno<\/p>\n
Marina Guti\u00e9rrez De Angelis<\/p>\n
Greta Winckler<\/p>\n
Mar\u00eda Paz Matia<\/p>\n
Agustina Mes\u00eda Crawley & Mar\u00eda Florencia Strano<\/p>\n