{"id":6080,"date":"2020-10-21T05:24:19","date_gmt":"2020-10-21T05:24:19","guid":{"rendered":"http:\/\/www.antropologiavisual.com.ar\/?post_type=project&#038;p=6080"},"modified":"2023-06-13T17:37:32","modified_gmt":"2023-06-13T17:37:32","slug":"la-cartografia-como-estrategia-visual-de-la-politica-colonial-mapas-planos-y-vistas-de-buenos-aires-s-xvi-xviii","status":"publish","type":"project","link":"https:\/\/www.antropologiavisual.com.ar\/en\/project\/la-cartografia-como-estrategia-visual-de-la-politica-colonial-mapas-planos-y-vistas-de-buenos-aires-s-xvi-xviii\/","title":{"rendered":"Cartography as a visual strategy of colonial politics: Maps, plans and views of Buenos Aires (16th-18th century)."},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb][et_pb_fullwidth_image src=\u00bbhttp:\/\/www.antropologiavisual.com.ar\/wp-content\/uploads\/3.jpg\u00bb _builder_version=\u00bb4.16&#8243; 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vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; z_index_tablet=\u00bb0&#8243; box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb border_style=\u00bbsolid\u00bb animation=\u00bboff\u00bb sticky=\u00bboff\u00bb always_center_on_mobile=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.16&#8243; custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; text_orientation=\u00bbjustified\u00bb z_index_tablet=\u00bb0&#8243; text_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_text_shadow_blur_strength_tablet=\u00bb1px\u00bb link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_2_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_2_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_2_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_3_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_3_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_3_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_4_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_4_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_4_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_5_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_5_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_5_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_6_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_6_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_6_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<blockquote>\n<p><strong><span style=\"font-size: 18pt;\">Cartography as a visual strategy of colonial power.<\/span><br \/><span style=\"font-size: 14pt; color: #808080;\">Maps, plans and views of Buenos Aires (16th-18th centuries)<\/span><br \/><\/strong><\/p>\n<\/blockquote>\n<p>PhD. Marina Guti\u00e9rrez De Angelis<\/p>\n<p>Contact:  mdeangelis[a]filo.uba.ar<\/p>\n<p>[\/et_pb_text][et_pb_button button_text=\u00bbVer Proyecto Interactivo\u00bb _builder_version=\u00bb4.20.2&#8243; _module_preset=\u00bbdefault\u00bb button_url=\u00bbhttps:\/\/www.antropologiavisual.com.ar\/panoramas\/\u00bb url_new_window=\u00bbon\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb37px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.16&#8243; custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.16&#8243; vertical_offset_tablet=\u00bb0&#8243; horizontal_offset_tablet=\u00bb0&#8243; text_orientation=\u00bbjustified\u00bb custom_margin=\u00bb35px|||||\u00bb z_index_tablet=\u00bb0&#8243; text_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb text_text_shadow_vertical_length_tablet=\u00bb0px\u00bb text_text_shadow_blur_strength_tablet=\u00bb1px\u00bb link_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb link_text_shadow_vertical_length_tablet=\u00bb0px\u00bb link_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ul_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ul_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ul_text_shadow_blur_strength_tablet=\u00bb1px\u00bb ol_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb ol_text_shadow_vertical_length_tablet=\u00bb0px\u00bb ol_text_shadow_blur_strength_tablet=\u00bb1px\u00bb quote_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb quote_text_shadow_vertical_length_tablet=\u00bb0px\u00bb quote_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_2_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_2_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_2_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_3_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_3_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_3_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_4_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_4_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_4_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_5_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_5_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_5_text_shadow_blur_strength_tablet=\u00bb1px\u00bb header_6_text_shadow_horizontal_length_tablet=\u00bb0px\u00bb header_6_text_shadow_vertical_length_tablet=\u00bb0px\u00bb header_6_text_shadow_blur_strength_tablet=\u00bb1px\u00bb box_shadow_horizontal_tablet=\u00bb0px\u00bb box_shadow_vertical_tablet=\u00bb0px\u00bb box_shadow_blur_tablet=\u00bb40px\u00bb box_shadow_spread_tablet=\u00bb0px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n<p lang=\"es-ES\" align=\"justify\">Unlike its American counterparts, Buenos Aires was not imagined from urban scenes or important battles. It was a strategic port next to a precarious city that travelers' accounts described without great praise. From its first foundation until the end of the colonial period, the only images that are preserved and known are plans, maps and topographical views of the port, except for the crude scenes in the engravings of Theodore De Bry, the result of Pedro de Mendoza's expedition to the R\u00edo de la Plata. This fact is relevant if we consider that it was not until the end of the 18th century that the first view of the city from the river appeared, with the Malaspina expedition. The absence of images referring to urban life and its inhabitants is striking, since both the Spanish monarchy and rival powers were obsessed with the collection of information and the value that this knowledge had in political and economic terms. That the first images of Buenos Aires were cartographic is not a mere detail, since its development and circulation of maps generated an intense political debate about the colonies, which promoted the deployment of a mixed system of representation of power. This mixed system combined the royal image as a succession of portraits of the Spanish monarch with the representation of the territory as a representation of the Empire.<\/p>\n<p lang=\"es-ES\" align=\"justify\">This project seeks to question some ideas regarding the role of these images in the Rioplatense territory. Firstly, because it incorporates into the study a heterogeneous set of image media ranging from cartography, military engineering to Atlas editions, beyond the artistic ones. These technical images are not considered as representations, documents or historiographical evidence, but as true vehicles of the visual strategies of colonial politics. The type of information offered by Spanish maps was linked to the need to organize the colonies, while the publications edited in northern Europe responded to a commercial interest. The marked anti-Hispanic spirit of these editions gave rise to an external view from the port and almost non-existent on life in the city, which supports the hypothesis about the impact that cartography had on the representation of the territory. The city seen from the river for two hundred years never ceased to be considered as an empty and exterior space, a door to the Indies.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":"<p>La cartograf\u00eda como estrategia visual del poder colonial.Mapas, planos y vistas de Buenos Aires (Siglos XVI-XVIII) Marina Gutierrez De Angelis Contacto: mdeangelis[a]filo.uba.arA diferencia de sus pares americanas, Buenos Aires no fue imaginada a partir de escenas urbanas o importantes batallas. Era un puerto estrat\u00e9gico junto a una ciudad precaria que los relatos de viajeros describ\u00edan sin grandes elogios. Desde su primera fundaci\u00f3n hasta el final del per\u00edodo colonial las \u00fanica im\u00e1genes que se conservan y se conocen son planos, mapas y vistas topogr\u00e1ficas del puerto, a excepci\u00f3n de las crudas escenas de los grabados de Theodore De Bry, fruto de la expedici\u00f3n al R\u00edo de la Plata de Pedro de Mendoza. Este dato es relevante si consideramos que reci\u00e9n a finales del siglo XVIII, aparece la primera vista de la ciudad desde el r\u00edo, con la expedici\u00f3n de Malaspina. La ausencia de im\u00e1genes referidas a la vida urbana y sus pobladores es llamativa, puesto que tanto la monarqu\u00eda espa\u00f1ola como las potencias rivales, se obsesionaron con la recolecci\u00f3n de informaci\u00f3n y el valor que esos saberes ten\u00eda en t\u00e9rminos pol\u00edticos y econ\u00f3micos. Que las primeras im\u00e1genes de Buenos Aires sean cartogr\u00e1ficas no es un mero detalle, puesto que su desarrollo [&hellip;]<\/p>","protected":false},"author":1,"featured_media":6082,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"footnotes":""},"project_category":[76,75,77,48],"project_tag":[],"class_list":["post-6080","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-iconografia-politica","project_category-imagen-y-ciencia","project_category-marina-gutierrez-de-angelis","project_category-proyectos-en-curso"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.2 (Yoast SEO v24.2) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La cartograf\u00eda como estrategia visual de la pol\u00edtica colonial: Mapas, planos y vistas de Buenos Aires (s.XVI-XVIII) - \u00c1rea de Antropolog\u00eda Visual<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antropologiavisual.com.ar\/en\/project\/la-cartografia-como-estrategia-visual-de-la-politica-colonial-mapas-planos-y-vistas-de-buenos-aires-s-xvi-xviii\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La cartograf\u00eda como estrategia visual de la pol\u00edtica colonial: Mapas, planos y vistas de Buenos Aires (s.XVI-XVIII)\" \/>\n<meta property=\"og:description\" content=\"La cartograf\u00eda como estrategia visual del poder colonial.Mapas, planos y vistas de Buenos Aires (Siglos XVI-XVIII) Marina Gutierrez De Angelis Contacto: mdeangelis[a]filo.uba.arA diferencia de sus pares americanas, Buenos Aires no fue imaginada a partir de escenas urbanas o importantes batallas. Era un puerto estrat\u00e9gico junto a una ciudad precaria que los relatos de viajeros describ\u00edan sin grandes elogios. Desde su primera fundaci\u00f3n hasta el final del per\u00edodo colonial las \u00fanica im\u00e1genes que se conservan y se conocen son planos, mapas y vistas topogr\u00e1ficas del puerto, a excepci\u00f3n de las crudas escenas de los grabados de Theodore De Bry, fruto de la expedici\u00f3n al R\u00edo de la Plata de Pedro de Mendoza. Este dato es relevante si consideramos que reci\u00e9n a finales del siglo XVIII, aparece la primera vista de la ciudad desde el r\u00edo, con la expedici\u00f3n de Malaspina. La ausencia de im\u00e1genes referidas a la vida urbana y sus pobladores es llamativa, puesto que tanto la monarqu\u00eda espa\u00f1ola como las potencias rivales, se obsesionaron con la recolecci\u00f3n de informaci\u00f3n y el valor que esos saberes ten\u00eda en t\u00e9rminos pol\u00edticos y econ\u00f3micos. 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Era un puerto estrat\u00e9gico junto a una ciudad precaria que los relatos de viajeros describ\u00edan sin grandes elogios. Desde su primera fundaci\u00f3n hasta el final del per\u00edodo colonial las \u00fanica im\u00e1genes que se conservan y se conocen son planos, mapas y vistas topogr\u00e1ficas del puerto, a excepci\u00f3n de las crudas escenas de los grabados de Theodore De Bry, fruto de la expedici\u00f3n al R\u00edo de la Plata de Pedro de Mendoza. Este dato es relevante si consideramos que reci\u00e9n a finales del siglo XVIII, aparece la primera vista de la ciudad desde el r\u00edo, con la expedici\u00f3n de Malaspina. La ausencia de im\u00e1genes referidas a la vida urbana y sus pobladores es llamativa, puesto que tanto la monarqu\u00eda espa\u00f1ola como las potencias rivales, se obsesionaron con la recolecci\u00f3n de informaci\u00f3n y el valor que esos saberes ten\u00eda en t\u00e9rminos pol\u00edticos y econ\u00f3micos. Que las primeras im\u00e1genes de Buenos Aires sean cartogr\u00e1ficas no es un mero detalle, puesto que su desarrollo [&hellip;]","og_url":"https:\/\/www.antropologiavisual.com.ar\/en\/project\/la-cartografia-como-estrategia-visual-de-la-politica-colonial-mapas-planos-y-vistas-de-buenos-aires-s-xvi-xviii\/","og_site_name":"\u00c1rea de Antropolog\u00eda Visual","article_modified_time":"2023-06-13T17:37:32+00:00","og_image":[{"width":1741,"height":1329,"url":"https:\/\/i0.wp.com\/www.antropologiavisual.com.ar\/wp-content\/uploads\/1.jpg?fit=1741%2C1329&ssl=1","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Estimated reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.antropologiavisual.com.ar\/project\/la-cartografia-como-estrategia-visual-de-la-politica-colonial-mapas-planos-y-vistas-de-buenos-aires-s-xvi-xviii\/","url":"https:\/\/www.antropologiavisual.com.ar\/project\/la-cartografia-como-estrategia-visual-de-la-politica-colonial-mapas-planos-y-vistas-de-buenos-aires-s-xvi-xviii\/","name":"La cartograf\u00eda como estrategia visual de la pol\u00edtica colonial: Mapas, planos y vistas de Buenos Aires (s.XVI-XVIII) - 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